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superboy superfan!

@mamawasatesttube / mamawasatesttube.tumblr.com

"—but mama was a test tube... as you can see, i have issues." rimi's dc sideblog, mostly superfam and young justice. 26, they/them.

hello!! today i present: an introductory lil powerpoint for those of you who may have seen '90s kon floating around, maybe heard a few things about him via dash osmosis, etc., but don't really know his deal, or why he's so different vibes-wise from t-shirt kon.

(the answer to that one is that t-shirt kon is the 2003 retcon i referred to in slide 6; in some ways he's an entirely different character before that!)

*note: i did kinda simplify the "is kon a metahuman clone or a kryptonian" thing. his early comics kinda contradict each other on this! for example, he's not depowered by the lack of sun during final night, but later after sins of youth it takes sunlight to charge him back up, etc.

some resources for getting into his comics:

i really only was able to barely scratch the surface and address a couple of common misconceptions in this powerpoint - i didn't even get into things like his feelings on clone rights, his scifi storylines, his relationship with steel, or the complicated depictions of abuse in sb94, so i heartily encourage everyone who's interested to jump into the comics, because there's SO much i didn't have space to mention!! and if you have any questions feel free to send me an ask!! i love to talk about this guy. happy reading!!!

pondering the issues tim and kon would have to work through in their relationship... like. kon's thing for attempting so earnestly to be what his partner wants him to be that it impedes his ability to communicate, vs. tims constant struggle with the hero/personal life balance.

imagine: kon shows up to pick tim up for date night, but tim forgot about it bc he's so wrapped up in a case. he's crunching numbers he's deep in a research hole he's in the zone. so kon taps at the window and he's like hey :) you're welcome to hang out but i really won't be any fun for a bit, im so close to cracking this. it's not anything urgent right it can wait an hour or two?

and kon thinks about reminding him they have reservations for dinner. but even if tim goes oh shit and gets changed real fast, his brain will be on the case the whole time and kon knows it. so he pastes on a smile and goes oh yeah no it's nothing important, i was just saying hi on my way to metropolis :). and he knows tim Really Is in the zone bc tim doesn't even notice how fake that smile was

and the thing is, kon really thinks he did what he was supposed to do here. if he feels hurt, it doesn't matter because he did what A Good Boyfriend Should Do. besides, helping people is more important than his feelings. so if he feels hurt about this he should simply get over himself and stop it.

except like that's not actually how feelings work. oops

but tim realizes kon showed up for date night the next day when he glances at his calendar. and he's like FUCK. and then immediately Why Didn't He Tell Me???? Why Did He Just Leave Again???? ? ???? kon???? and he tries to apologize to kon but kon's like no you didn't do anything wrong ! and tim is like. uh. yes i did? (holding flowers with immense confusion)

he's trying to get kon to tell him what he can do to make it up to him, if there's anything kon particularly wants to go do, what's a date idea kon wants!! and he doesn't understand why this seems to be making kon shrink in on himself a bit because he's?? trying?? to fix it???

but he hasn't realized that the issue is that kon thinks, on some level, that prioritizing himself in a relationship in any way is how he gets dumped. like he wouldn't consciously say that's what he thinks. he'd deny it out loud. but that's how he secretly feels on the inside: that having needs or wants, that expecting reciprocity from his partner, leads to him being left behind.

and so finally tim has to drop the "no really what do you wanna do??" angle to just sit on him and cup his face like hey. hey. i don't know what's going on in there but i can tell you're like Genuinely Upset (kon Haha what no I'm not!!!) but for some reason you keep saying i don't have anything to make up to you. which is Not True, Kon. can we accept that. i DO have something to make up to you and i WANT to make it up to you.

gotta cup kon's cheeks and gaze earnestly into his eyes like he's a sad lil puppy dog. listen. kon. i have a bad habit of letting the hero stuff in my life eat away at the rest of it and i am trying So Hard to be aware of when im doing it, but sometimes i fuck up because it's a hard habit to break. but i Will, because, like, this is the kind of thing that's ruined Every relationship i have ever had and i refuse to let it ruin us!! im Gonna be better for you bc you deserve better. and also because i know the rest of my family will be single until the day they die but I Refuse, okay. bruce and dick have fumbled every single relationship they've been in and i Won't be like them kon, im gonna do right by you or die trying, but you gotta talk to me for that, okay.

and kon's like. wow way to drag literally everyone in your family but i do actually feel a little better now. and tim's like fuck yeah B) was it the throwing dick and bruce under the bus that helped? i'll do it again anytime. especially bruce. listen bruce fumbled wonder woman do you know how bad that man is at relationships??? the fumbler for REAL.

and kon giggles despite himself and then manages to finally let go of some of that tension in his shoulders, heaves a big ol puppydog sigh, and plonks his face into tim's shoulder. he needs a minute but he finally admits, okay. yeah. it didn't feel great, and i should've told you it was date night that night itself. as for what we could do now, um... i'm not entirely sure... and tim's like not to worry! in my infinite wisdom i have ☝️ made a date night idea spreadsheet.

and like, the point is kon realizing that actually a good partner would like him to talk about his feelings and needs and wants. and tim realizing once again that He's Not Gonna Be Like Bruce He Refuses To Be Like Bruce. Rip To Bruce But He's Not Gonna Fumble A Bad Bitch. finally they go to the aquarium together or something and take a lot of silly fish selfies, and tim buys kon like 5 gift shop plushies. yippee!

obviously ymmv but i personally just will never get the sentiment of being excited for canon queer relationships/characters just for the sake of them being queer, even if theyre extremely poorly written. like i actually feel more kinda insulted when a company goes "here is our unedited incoherent slop! you will like it and pay us because we slapped a rainbow on it. if it does poorly we'll assume it's bc there's no real audience for queer storytelling" or when an author goes "this character is queer!" and you're like "oh cool! what's their story about?" and the author goes "they're queer!" and it's not even a story about queerness. it's just an extremely bland character who exists entirely to remind you that they're queer, with no character arc or traits outside of that. like idk i don't find that exciting at all. it's very off-putting to me. like... idk man i just think queer people deserve stories that are actually good, just as much as many classic het romances can get the space and development to be actually good. and like obviously not every story is gonna be clois but it would be cool if they could still have some sort of depth and engagement with the reader in good faith, rather than stories that actively punish you for trying to think about them. like i hate stories like that when they're not queer. adding queer characters does not make me like them.

How to Critically Analyze a Piece of Media

By Deniigiq (Almost Ph.D)

So as a person who has spent the last 5+ years working in higher education in both research and staff capacities, I feel that it is my responsibility to provide y’all with some tools to help you critically analyze shit that you come across so that you don’t end up guilt tripping yourselves and others around you 24/7.

I am writing this because I see people constantly saying that people no longer know how to critically analyze something or don’t have critical thinking skills, but very few people actually have the time/energy/obligation to break down what that actually means and looks like for others.

The good news is that I apparently do have the time, energy, and honestly, the genuine concern to start to help people do that.

This is going to be a long-ass post.

I am not sorry.

It is not comprehensive.

I am not sorry for that either. This is just a tiny taste of some shit that you can and should really go ham with.

So anyways, here’s how to critically analyze a piece of media.

Critically analyze = asking questions of a text/media/object and thinking about answers to those questions.

THAT’S IT, PEOPLE.

THAT’S ALL. Don’t make it more complicated at this point in time.

Here are some basic questions that you want to ask yourself about a text/media/object (hereafter referred to as a Thing) before, after, and during your consumption of it:

  • When was this made?

The period in which a Thing is made is important because the world during that particular point in time influences the decisions that went into producing the Thing.

  • Why was this made?

This question has layers. You will find many answers to this question if you pose it to anything that exists ever. And it should have multiple reasons because humans give many different meanings to individual things. There are often very few absolutely right answers to this question.

  • Who made this thing?

The layered identities of the people who create a Thing are always present in it. The important part is that if a person creates a Thing, then that Thing will have both insights into that person’s perspectives/beliefs/values/identity AND the limitations of those perspectives/beliefs/values/identity.

  • What ideas does this Thing include and what ideas does this Thing leave out?

This is a really basic question that you probably don’t think of to ask yourself often, but when you are presented with a Thing, you have to first identity what is literally there right in front of you (example: this is a movie about a superhero. The superhero is a tall, beefy white man. The tall beefy white man has 2 sidekicks. And so on and so on.)

THEN, once you’ve done that, you sit back and think about what is NOT there. (The tall beefy white man’s sidekicks are both white characters. None of them are woman. None of them are people of color. And so on and so on.)

Once you get to this point in your analysis, you start asking different questions about the Thing.

For each answer you come up with to the above questions, you ask yourself:

1. Why?

and

2. How?

Some questions you may find yourself making at this point include:

  • Why was this Thing done in this way?
  • Why does this Thing have that audience?
  • How does this aspect of the Thing affect this other aspect of it?
  • Why did the person who made this Thing choose to do it X-way and not Y-way?
  • How might the time and place this Thing was made in affect its creation?

So you may be saying to yourself at this point, “but Matt, this doesn’t sound very critical to me! This just sounds like a load of fucking questions.”

To which I will say: thank god you have finally understood, padawan.

Being critical of something does not mean that you or someone else hates it.

It does not mean that you or someone else thinks the Thing is worthless.

It does not mean that you or someone else hates the people who made the Thing or the people who like the Thing.

It simply means that you have asked questions about the Thing and have recognized what it is, what it is doing, and what it is not doing from a variety of different perspectives.

So that means that when someone comes to you and says, ‘this Thing is having X effect on its audience,’ ‘this part of this Thing is representing X idea in Y ways,’ or ‘this Thing is leaving X people out in its story, which has Y effects’ that ‘criticism’ isn’t actually a targeted attack on you as a person.

This is because Things are not personality traits. Fandom ideas and ships and headcanons and whatever else are not what makes you you. You are special and unique because of so many other things that you do and have experienced. The thing that you like does not make up the entirety of your person or identity, even if that Thing or hell, even if a specific person has a lot of emotional value to you.

And because of that, when someone criticizes a piece of media or an object, they are not criticizing you. Rather, they are explaining to you how a Thing is functioning through a lens that you often don’t have access to or haven’t thought of.

That’s all!

That’s it, folks!

And just so that we are clear, you can absolutely like a Thing after going through this process and finding that it has all sorts of limitations.

You may find that there’s a lot of shit about a bit of media/fandom/object that you don’t like, and you might decide that that shit outweighs the things you do like about whatever it is.

And regardless of the case, you are MORE than allowed to continue to consume a bit of media or whatever and say, ‘you know what? I enjoy this for a number of reasons. And I also acknowledge that there are parts of it that are not good for a number of other reasons. So now when I have fun with this Thing, I’m going to be aware of and sensitive to those less great parts, while also celebrating the good parts of it, too.’

That’s totally fine. In fact, that’s great. That’s amazing. That’s the kind of awareness that people are asking you to have when they ask for critical analysis.

So. In conclusion:

Critical analysis is a tool that helps you think beyond the surface layer of an idea/thing/object. Being asked to think critically is not an attack. It does not mean that you cannot enjoy something or let it occupy an important place in your heart.

Critical analysis is a tool for everyone to use, and it is intended to help you understand how an idea/thing/object relates both to itself and the world around it.

What you do with critical analysis after that point is all up to your values and morals.

Anyways, if you have more questions, please don’t ask me. Ask yourself and then ask Google for more information or what to do next. That’s a whole different process called ‘researching’ and no one is paying me to teach you all how to research next. (…UNLESS???)

Do you have any voices in mind for YJ?

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honestly no, i'm so bad at being able to describe voices or in any way translate them from what they are in my head to what actual people sound like in recordings. and also i feel like i forget every single persons speaking voice ive ever heard of when i try to think of such things LSKDJFS

but that being said i do have some thoughts, like. tim has the Robin Time Deep Voice. that man is probably capable of a nice easy baritone? bart has a southern drawl on some words and an interlac accent on others and at one point has probably said something like "good grafe!" as in "good grief" + "grife!" + the classic southern drawl on the vowels that turns the "eye" sound into more of an "ah". cassie is a lil bit valley girl and also definitely like. so alto. etc

Rimi you've made me a Kon fan and helped me to read Kon comics and now Tom Grummett is guesting at a con I'm going to so I simply have no choice but to get a superboy print from him!!!!! You have done this to me and I do earnestly thank you for it

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AHHH IM SO GLAD!!!!!!!! and omg that sounds awesome, id love to see the print when you get it!!! :D YAYYYYY

timkon/clois parallels and therefore putting tim into journalism can be so fun. imagine tim suddenly having to deal with coworkers who are all nearly as nosy as he is. one of his deskmates shows up at his door one day and tim is like whoa wtf??? you know where i live?? since when???? how??? and his colleague is like oh i just did my research haha. anyways about this story, i wanted to ask you...

some (dick grayson) might call this karma (dick grayson is calling this karma). tim just calls it unbelievable. when will these people learn to mind their own business (dick grayson is laughing his ass off).

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