na is very tired

▸¹『 Na 』➶︎⁺₊ ▸²『 they/them 』☁˚﹒* ▸³『 I'm a Vietnamese Illustrator. I once swallowed a chewing gum when i was 12 and it has stuck on my brain ever since 』˘ˑ

W͠E͠B͠B͠E͠D͠ S͠I͠T͠E͠S͠

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Vhenan

JASON AND THE ARGONAUTS (1963) Visual Effects by Ray Harryhausen Dir. Don Chaffey

Starting a collection

sleepy morning

pscentral event 09: comfort | comfort movie. ❤️

GONCHAROV (1973).

— dir. Martin Scorsese.

after seeing solas's backstory in veilguard, I think it makes it even more meaningful that solas planned on telling lavellan the truth about himself straight after going to the temple of mythal, after walking the halls of all the regrets of his past with lavellan at his side who was a bright future he desperately wanted to stay with

it must’ve been such a weird convergence of past, present and future for solas, going back to the temple frozen in time, seeing abelas finally released from his duty to mythal, that had him wavering on which path to take… but in the end he didn’t think he deserved that bright future and couldn't bring lavellan down that dark path with him

and I can't help but wonder if seeing abelas walk away from mythal’s service was what tipped the scales for solas in wanting to tell lavellan the truth in crestwood, if it had him thinking “maybe I could be free too”

“maybe I could be free too”

i kind of love that mark and gemma’s relationship is such a blank spot in severance so far. no flashbacks to their life together, mark never talks about her, devon has to skirt around barely mentioning her. nothing of substance has been conveyed about their relationship beyond the intensity of how her death shattered mark. it’s simultaneously the motivation behind his every move and something we as the audience know nothing about. there’s this harsh haunting nothing where those memories and love should be — the severance procedure represented by her total absence from the story. mark was so blinded by his grief that he followed gemma down into hell without even knowing she was there. it’s orpheus and eurydice playing out their roles totally absent of will and intention. they were face to face on the severed floor and he was unable to recognize her and unable to save her because he cut her out of his brain in order to live.

sometimes a theme recurs in your work without your permission. and sometimes it reaches a threshold where you're like. well now i think this is saying something about me against my will. don't know what though

Good morning :>

This is a blessing!

I love the spellcasting animations in Veilguard!!

modern au neve in a nutshell

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