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ᶻ NearlyMello0 ᶻ

@nearlymello0

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ASKS ARE ON!
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Undertaker: Don't get me wrong... you're a lot of fun butler, but my love still remains for my darling Othello...

*Othello enters the chat*

Sebastian: ....socks and sandals? Damn I never really stood a chance...

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Let’s play the game of ‘is this death note or the start of a gay porno’

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Anonymous asked:

how would you describe ciel’s and sebastian’s relationship? like yes literally it’s contractor and the one who agrees to the contract. but like their day to day relationship with eachother. i dont ship them but i love how they interact with one another but don’t know how to characterize their relationship.

Dear Anon,

O!Ciel and Sebastian’s relationship is not something I could fit into any inter-human relationship categories. This is because theirs is simply something that seems very unlikely for humans to have in our society. However, that is exactly what makes this master-servant duo interesting.

Most clinically, O!Ciel and Sebastian are indeed master and servant, child and adult. Though surely very rare, child-employers with adult-employees might exist in our world. What makes O!Ciel and Sebastian’s relationship unique is by no means limited to this ‘subversion’ of child-adult dynamic. Let us unpack this master-servant bond category by category, layer by layer.

1. Child vs Adult – Age Dynamic

A unique characteristic of O!Ciel and Sebastian’s relationship is how they do not behave like any child vs adult would. Sebas treats O!Ciel like a child, but he does not see his master as a child. And by ‘child’, I mean more specifically ‘a less-than-adult’ person. To Sebastian who is centuries old, a human who is 13 is as inexperienced and foolish as a 30 or 60 year old human. Instead, it seems like Sebas treats O!Ciel like a child only because it gets on his master’s nerves and it is entertaining.

We must remember that humans are cattle to Sebas, and that O!Ciel is no exception. For analogy’s sake, let us imagine a pig. Humans usually don’t have a higher regard or respect for adult pigs than they have for piglets. We don’t take adult pigs more seriously than we do piglets.

2. Master vs Servant – Power Dynamic

The most unique part in O!Ciel and Sebas’ relationship is not that a child is the employer of an adult, omnipotent demon. The uniqueness is in the detail that this specific employer has absolute command over Sebastian, and can even use the demon’s powers against him at will. We see in the Werewolf Arc for example, how O!Ciel has practically already broken his end of the contract. Sebastian was in full right to claim his payment for his service and return home. But since the contract was technically not over yet, O!Ciel stopped the demon from exerting his right with just one simple phrase: “it’s an order.”

Sebastian may seem all-powerful, but if O!Ciel wishes to make Sebas do something against his will, O!Ciel merely needs to use the binding magical term “it’s an order”. This binding term is so powerful it can infringe all of Sebastian’s personal autonomy, and it would be ““legal””. What if Sebas doesn’t want to be touched? “It’s an order, let person X touch you and get away without harm.” What if Sebas doesn’t want to expose himself to lethal danger? “It’s an order, do it anyway.”

This is the reason why SebaCiel could never work (even if O!Ciel were an adult!), simply because the power balance is inherently tipped way too much to O!Ciel’s side. A romantic and/or sexual relationship cannot work as long as the power balance is off, and true consent cannot be given on all sides. Consent that can be coerced, or cannot be withdrawn freely, is not true consent, after all.

3. Master vs Servant - Bickering

There is a lot of back-and-forth bickering between O!Ciel and Sebastian, which is very uncharacteristic of employer-employee relationships (No way I’m going to bicker against my boss!) Sometimes the bickering is light-hearted and comical, and I surmise this is part of the reason people might have the illusion that their power-dynamic is not completely off (as described above).

This light-hearted bickering is a great appeal, and it makes the master not behave like a full master, and the servant not like a full servant. On surface their contract bears semblance to a friendly relationship wherein both parties also fulfil their respective roles in this employment. This is a powerful ingredient in their usually fantastic cooperation during their missions! O!Ciel allows Sebas some freedom (when he sees fit), while Sebas returns this ‘kind gesture’ with helpful initiatives (when he sees fit). I dare say that many if not most ‘Kuroshitsuji’ fans are here exactly for this reason. Regardless of how fantastic this cooperation might be however, at core their relationship is still ‘employment’.

On the darker side however, this bickering is also one of the fruits born from insidious manipulation. In this post I discussed how Sebastian stretches his arms and legs as WIDELY as possible within his tiny constraints. To a certain extent, O!Ciel turns a blind eye (pun not intended) to it. Why though?

Of course O!Ciel is not a complete tyrant towards Sebastian, but this is the result that Sebastian managed to fight and win for himself. All the way back in chapter 138 Sebas didn’t even know O!Ciel yet, and yet he already made very clear that:

  1. He should not try to exert too much control over him
  2. That if he does try to do so, he should be careful with words
  3. That if he is not careful, Sebas will take any opportunity to punish him for careless word-choice

In this small incident O!Ciel learned that if his demon misbehaves, he’d have himself to blame. THIS is the silent lesson Sebas instilled into the boy; that if Sebas mistreats O!Ciel, it is not Sebas who crossed boundaries, but that O!Ciel didn’t set the boundaries right. “O!Ciel had it coming”. This lesson taught by Sebas leans dangerously close to – if not downright within – the category of victim-blaming. (Sebas you trashy Trash Demon™, I love you.)

3.1. Circus Arc

So far in the manga, the most obvious example of this victim-blaming dynamic is the incident with the snakes in the Circus Arc. Sebas very clearly reminded O!Ciel that he is not above allowing his master to get hurt semi-mortally. O!Ciel was seething when he found out, and justly so. But did Sebas show any remorse? Of course not. Instead he blamed O!Ciel for:

  1. Not being careful enough with his commands
  2. Being too boring to see the ‘fun’ in this game

3.2. Jack the Ripper Arc

Far more dramatically, this same victim-blaming dynamic can found in the Jack the Ripper Arc, and this one arguably even dictated how O!Ciel is going to become as a person.

In the Ripper Arc Sebas also obeyed O!Ciel’s order to the T. But that’s it; only to the T and nothing more. Because the demon deliberately withheld information from his master necessary for the investigation, more victims fell while the case was still in O!Ciel’s hands. Who gets the blame? Jack the Ripper obviously. But who is made to bear the guilt? O!Ciel is; through the victim-blaming Sebastian made him internalise.

O!Ciel is still O!Ciel, so he probably didn’t really lose any sleep over the deaths of 5 people. But had he not been him, then surely this guilt would have been mind-crippling. However, we need to bear in mind that O!Ciel was not unaffected; had Sebas not withheld information, then O!Ciel would have stopped the murders earlier, and presented a scapegoat to the Queen. Let’s be fair, had Madam been arrested then she’d still be awaiting capital punishment. But as the Watchdog, O!Ciel pulls some strings. He would have tried VERY hard not to lose his aunt too.

As it is however, the enormous guilt about the death of his own aunt is what Sebas made O!Ciel suffer through slow and insidious manipulation. Sebas never gave O!Ciel the time to mourn his aunt, and instead pressured the boy into admitting that he ‘callously sacrificed Madam as a pawn’. He made him mentally TAKE the blame for the murder that Grell committed, and Sebas could have helped prevent.

As we can see in chapter 13, O!Ciel was desperately trying to externalise the blame, coming up with excuse after excuse, justification after justification. None however, works. Good seasoning skills, Sebas, amazing food-prep.

I am fairly certain that O!Ciel doesn’t even realise how much he’s being emotionally manipulated by his butler throughout the years. This insight about emotional manipulation and psychological abuse is something that requires a level of abstract comprehension we cannot expect from most people, let alone a 13 year old child (however smart they may be.)

4. Conclusion

In conclusion, both Sebas and O!Ciel exist in this relationship rather amicably on surface level, but they are inherently toxic to each other. Sebas is continuously manipulating and emotionally abusing O!Ciel, while O!Ciel holds the absolute power to infringe all of Sebastian’s autonomy.

This ⇊ illustration by Yana is the perfect symbolisation of their bond.

We can attach adjectives like “f*cking toxic” and “fascinating” to this relationship, but we can’t find a category of inter-human relationship to fit O!Ciel and Sebastian into. In real life there are no children who can wield magical command to strip someone entirely of their autonomy. Likewise, there are very few adults who would not consider a child as ‘less-than-adult’. Should we try to shoe-horn O!Ciel and Sebas into a human category, then we risk over-simplifying this relationship. Over-simplification of this relationship can be very harmful, because the subverted formula of “child-master and adult-servant” SEEMS to compensate for the inherent power imbalance.

Yana however, managed to write this relationship SO brilliantly complex, that Sebas will always remain the servant who is at O!Ciel’s mercy, while O!Ciel suffers continuous mental abuse despite holding the ultimate ace card against a demon. This complex relationship is the ultimate evidence that even the most toxic relationships can look functional on surface level, and I love hating it!

I hope this helps give some insight!

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Kusuo Saiki and him acting LIKE A NORMAL BOY!!

I think the saddest thing about TDLOSK for me is how Kusuo constantly mentally separates himself from people without ESP and treats himself less like a person but then goes on to do NORMAL teenage boy things and hang out with his friends like a normal boy. It’s genuinely so depressing whenever it occurs (literally always) and it just makes me feel absolutely sad.

Kusuo hangs out with his friends at the arcade and he’s watching Kaidou and Nendo goof off essentially (he’s having a good time) and then when it’s over he just comes to a realisation that he didn’t use his powers, him just hanging out with Aren, Kaidou, and Nendo just having fun in a sense, eating lunch with Toritsuka just chatting, him having ramen with friends, and more.

These scenes just kinda make me sad as then Kusuo will just have some more sad moments that discuss his own humanity. Not to mention these scenes of Kusuo having fun and acting like a typical human prove that Kusuo is human and seeing a part of the fandom sorta mentally write out these moments in the manga/anime while mischaracterizing him and misunderstanding him.

Every time I see someone dehumanise Kusuo Saiki I die inside.

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Wammy's orphanage (house)

Wow, it’s been weeks since I last came onto Tumblr to really share an analysis/theory or sometimes the occasional Bound Prince rant. But I am back, and I am back with my thoughts about how Wammys house operates, the environment, and how the building worked.

I’ll be using canonical material such as the manga/anime, while also supporting it using the semi-cannon of the LABB novel and the L change the worLd novel. Note that I will be using LABB more than L change the worLd as LABB has been recognised by the creator of Death Note (Ohba) as some sort of cannon. I’ll also use sources away from the Death Note manga/novels/anime like interviews and articles about Orphanages in the UK.

Do I think that Ohba thought much about the orphanage? No, this is all headcanon based on canonical information from the Death Note series.

///////////////////////////////////////////////

When discussing Wammys house we first need to know the system for the children and how many children it can hold. We can use Mellos words from the LABB novel, and some outside sources to figure out how many children an orphanage the size of Wammys can hold.

Wammys house is a larger orphanage, with extremely good funding, and a credibility behind it all. Most likely recognised by the government. Due to its size and funding we can figure out the maximum number of children the main orphanage that produced the successors for L can hold. We also need to remember legally there has to be children going in and out of Wammys. (Also for money reasons and capacity reasons.)

From the size of the building that we know has multiple floors and a large area we can determine from first glance that it can hold more than 25 children. From my research that due to the size of the orphanage in question it would probably hold around 150 children in it.

By how the anime shows the amount of children plus the snippets of the manga that shows Wammys plenty of children live there, and have some contact with L in a sense. Like in the short stories we see L talking with the children through a computer screen.

Like any typical orphanage I can see children coming in and out of the orphanages. That holds the question why the children in the successor program don’t get adopted, quick answer; Wammys probably didn’t list them as adoptable. Or Near, and Mello were refusing any adoption. It wouldn’t benefit Wammys at all to not re-house orphans, Wateri likes to make detectives so keeping children around when they could go to actual houses wouldn’t be logical. It would just fill up the orphanage, and cost them money.

Now for the successor program I think it pretty much is “hm this one”. Near and Mello got picked due to a look in their eyes and them analysing L. So I doubt that L really hyperfixates on them. He most likely picks them like he did with Near or Mello or sees the files of children that he is told to look at that could be “successors”.

By Mellos description Near and him have the “L code” while the others in the past generations didn’t. (1 - 3) We had zero knowledge of the second and third generation but we do know barely anything of the first generation.

Beyond Birthday and A are the only confirmed successors from that generation. Beyond Birthday after lighting himself on fire landed himself in prison and most likely had a naturally occurring heart attack, A committed suicide. There is no cannon name for A and Beyond Birthday and there will never be.

The first generation was most likely stressful, they were meant to fail and most likely be a test for the actual potential successors in the future. Second and Third generation would most likely be less stressful for the successors. The fourth generation would most likely be the least stressful on the successors

That’s my deductions. They most likely had shared rooms and multiple floors of bedrooms. They also probably had open rooms for activities, a cafeteria, nurses office, and of course Rodger’s office. Multiple bathrooms around the area obviously. They probably also had a large outside area with multiple play areas.

Wammy's orphanage (house)

Wow, it’s been weeks since I last came onto Tumblr to really share an analysis/theory or sometimes the occasional Bound Prince rant. But I am back, and I am back with my thoughts about how Wammys house operates, the environment, and how the building worked.

I’ll be using canonical material such as the manga/anime, while also supporting it using the semi-cannon of the LABB novel and the L change the worLd novel. Note that I will be using LABB more than L change the worLd as LABB has been recognised by the creator of Death Note (Ohba) as some sort of cannon. I’ll also use sources away from the Death Note manga/novels/anime like interviews and articles about Orphanages in the UK.

Do I think that Ohba thought much about the orphanage? No, this is all headcanon based on canonical information from the Death Note series.

///////////////////////////////////////////////

When discussing Wammys house we first need to know the system for the children and how many children it can hold. We can use Mellos words from the LABB novel, and some outside sources to figure out how many children an orphanage the size of Wammys can hold.

Wammys house is a larger orphanage, with extremely good funding, and a credibility behind it all. Most likely recognised by the government. Due to its size and funding we can figure out the maximum number of children the main orphanage that produced the successors for L can hold. We also need to remember legally there has to be children going in and out of Wammys. (Also for money reasons and capacity reasons.)

From the size of the building that we know has multiple floors and a large area we can determine from first glance that it can hold more than 25 children. From my research that due to the size of the orphanage in question it would probably hold around 150 children in it.

By how the anime shows the amount of children plus the snippets of the manga that shows Wammys plenty of children live there, and have some contact with L in a sense. Like in the short stories we see L talking with the children through a computer screen.

Like any typical orphanage I can see children coming in and out of the orphanages. That holds the question why the children in the successor program don’t get adopted, quick answer; Wammys probably didn’t list them as adoptable. Or Near, and Mello were refusing any adoption. It wouldn’t benefit Wammys at all to not re-house orphans, Wateri likes to make detectives so keeping children around when they could go to actual houses wouldn’t be logical. It would just fill up the orphanage, and cost them money.

Now for the successor program I think it pretty much is “hm this one”. Near and Mello got picked due to a look in their eyes and them analysing L. So I doubt that L really hyperfixates on them. He most likely picks them like he did with Near or Mello or sees the files of children that he is told to look at that could be “successors”.

By Mellos description Near and him have the “L code” while the others in the past generations didn’t. (1 - 3) We had zero knowledge of the second and third generation but we do know barely anything of the first generation.

Beyond Birthday and A are the only confirmed successors from that generation. Beyond Birthday after lighting himself on fire landed himself in prison and most likely had a naturally occurring heart attack, A committed suicide. There is no cannon name for A and Beyond Birthday and there will never be.

The first generation was most likely stressful, they were meant to fail and most likely be a test for the actual potential successors in the future. Second and Third generation would most likely be less stressful for the successors. The fourth generation would most likely be the least stressful on the successors

That’s my deductions. They most likely had shared rooms and multiple floors of bedrooms. They also probably had open rooms for activities, a cafeteria, nurses office, and of course Rodger’s office. Multiple bathrooms around the area obviously. They probably also had a large outside area with multiple play areas.

L and Light committing the Japanese term "shinjū" should be written more.

JUST IN CASE NOT EVERYONE KNOWS "shinjū" is a Japanese term that means "double suicide" and or "lovers suicide" Shinjū can be read as multiple things but it's typically seen as "double suicide". 心中 is the kanji, don't recommend searching the kanji on here as you'll see some... EW content.

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Been thinking about Mello a bit & I think it's his turn to have the pleasure of punching a fragile nazi, KMFDM style✊🏻

Speedpaint below the cut

Can somebody please describe Nears haircut, PLEASE. I have to get my hair cut but I do not want to send them a photo of Near nor a cosplay of Near out of fear that I’ll be judged. No hair colour included, just the cut of the hair. PLEASE TUMBLR, DO ME JUSTICE.

Bound Prince 緊縛王子/kinbaku ouji

Hello, shockingly I have a new update for the Google Doc and more plans for research on the game and its translations.

In recent light, I was attempting, with very poor understanding of Japanese, to translate an important page of the original domain belonging to Orange Pekoe where a new third person came in and turned out to have assisted with the development/creation of the game. This means that I’ll have to do more research and update the google doc when I have time.

Any outdated content with the doc will be openly stated within the google doc to be outdated but the content within the doc is still valuable if you need to look into the game as well.

I’ll need actual accurate Japanese translation soon with certain texts, parts of domains and more to get more context on dates, places and on the original creators of Bound Prince so I pray I can either find a translator or get amazing at Japanese.

I have no idea who I am doing this for but myself :3 but I am so excited to get more information on the game in due time. Keep in mind that the Google Doc for this research is going to be changed as time goes on so not everything here will stay the same. The day I come out and say that I’ve discontinued my research is when the Doc will not be updated ever again.

- Offical research Google Doc link.

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