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Postcards from the Void

@tananaphone / tananaphone.tumblr.com

Call me Tana (She/They) | Insufferable Creative-type | Certified Heathen | Chronically Over It

Salutations! It's been enough time with enough new things, new people, and new projects that it feels like a re-introduction is in order.

So hello.

Call me Tana. Your resident bogwitch. I write books of the fantasy flavor, compose music for film and for myself, and occasionally pretend I'm a digital artist. In short, an insufferable creative, at your service. Gender is made up and the points don't matter, so she/they/any which way.

We're not gonna talk about the many wip ideas that consistently kick down my door with their no-plot-just-vibes bullshit. I've a catalogue of those somewhere, as a way to keep them in cages until I'm good and ready for them. They are unruly, and they bite.

As for my main projects that you'll see me post about:

Broken Sky: [Adult Fantasy, dramedy]

When the A’ Shae Light is slain, and Stars no longer glow, so then the Sky will open wide and swallow those Below. The sky has cracked, a war’s been fought, a prophecy found, and Lonan Fiddershin is about to unveil a conspiracy sixteen years in the making. One that points an ugly finger at his own king. His discovery takes a turn when he finds a strange glowing object on his bed - a lost A’ Shae artifact - alongside a note warning him to keep it hidden. Soon after, Lonan comes face to face with an assassin and a legion of royal guards. Killers sent by the king in hopes of silencing the history Lonan means to unearth. Upon a narrow escape, he teams up with a pair of unlikely, inter-rivaling allies: a fiery berserker with something to hide, and a stoic priestess hungry for vengeance. But each night there are fewer stars than before; the sky wound cuts deeper, and their time is running out. Lonan must use the artifact to find the last A’ Shae, to help recover the magic that was stolen from them, and somehow convince a band of people who would rather watch the world burn to save it. [Broken Sky is a mix of camp, slapstick humor, and earnest grief. Adventurous and unapologetically queer. You can find the intro post to it here.]

The Last Lambs (TLL): [Adult Fantasy]

In a post-post-apocalyptic world, disgraced Finder Searu-Fal Evima takes on what she believes to be a simple kidnapping case. All across the Fold, children have been disappearing, and grisly murders are on the rise. Her own case is not all it appears to be, and soon Searu finds herself chasing down a notorious killer with a horrible secret. But there are whispers...of rival cities set to war, of mythic cults, and an ancient power that shouldn't exist. To learn the truth, and live to tell it, Searu must fight her way through a tangled web of rumors, spies, and two-faced allies. Only then can she decide which truths are worth living...and dying for. [TLL is a standalone epistolary that flirts with mystery, neo-noir, and the werewolf mythos, while keeping rooted in a dark fantasy world that's not so different from our own. Features a queer, disabled protagonist.]

Evil Forest wip: [Adult Fantasy, mild horror]

This yet untitled wip is a haunting story about a sentient island forest that seeks revenge upon the strangers who arrive on its shores. Think "fucked up fern gully" vibes. Plotted out but needing more time to cook. You'll see me tag evil forest inspo for this from time to time. Hopefully an intro post (*coughs* and a manuscript) coming soon.

I'm not going to give an exhaustive guide, because I am unhinged and it wouldn't do you any good. But here are some highlights:

  • postcard from the void: these are usually personal posts and updates. I am a ND chronic illness warrior. It's rough out there and sometimes you need a place to yell about it.
  • fellow writers: for whenever I reblog my talented writing compadres on this, our very own hellsite. You should follow them, too. They're the bee's knees.
  • happy brain chemicals: what it sounds like, a tag for those happy things that give me the good stuff.

If you're feeling business-casual, my author website is here. I occasionally take on developmental/copyediting jobs, ranging from music journalistic non-fiction to YA to fantasy. I'm rather picky about the non-fiction I take on, but if you are looking for fiction/fantasy editing, feel free to inquire.

I very rarely take on art commissions, but if you have a mighty need, drop me a line.

A final note: I am a certified heathen, and while I don't post about it much, you may see some pagan-y goodness from time to time. While I honor and commune with my ancestral Nordic roots, I spurn the use of its symbols to promote agendas of violence and hate. This is a safe place for everyone but bigots. I love trolls in my storybooks, not my life; please shadowbox somewhere else.

Be well. Be good to one another. Go make some art.

Uh-oh, coming down with a case of “what-if-a-bunch-of-other-people-experience-these-symptoms-as-bad-as-I-do-but-they-suck-it-up-and-work-anyway-and-I’m-just-being-a-little-bitch”-itis

I made these as a way to compile all the geographical vocabulary that I thought was useful and interesting for writers. Some descriptors share categories, and some are simplified, but for the most part everything is in its proper place. Not all the words are as useable as others, and some might take tricky wording to pull off, but I hope these prove useful to all you writers out there!

(save the images to zoom in on the pics)

seeing straight men be disgusted by booktok smut recommenders has actually radicalized me to the side of booktok smut recommenders. girls your taste may be atrocious but i will never disparage you for exposing mainstream discourse to the concept of soaking through your underwear. spent my whole life listening to men talk about penises it’s about time they get jumpscared by women talking about pussy in crude detail on social media. go forth and goon my warriors

I work at a bookstore and hearing one of my male coworkers call smutty romantasy "the downfall of society" because it's "literally just porn" radicalized me

Men have an entire industry. Entire industries dedicated to their sexualities. Let women have fantasy sex. there's not even a camera crew involved.

Left this in the notes

Also listen. Listen.

There aren’t any camera crews involved yet

There are porn parodies of all kinds of movies and dammit the smutty booktok deserves their own, if only to see what the porn parody of a lovely filthy romantasy actually looks like

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wowzers😝

Well. I got Elrond. That's just great.

ARAGORN?? NOOOOO HED GET DIRT EVERYWHERE AND WOULDNT STOP BEING IVER HIS ELF GF!!

Some truths about the publishing industry because I certainly got blindsided when going in. Now I'm so broken by this industry I struggle to encourage aspiring writers lmao

Interesting to see the traditional publishing side since I usually see the indie struggles from @thebibliosphere

As someone who worked in trad-pub on the editing side and chose to go self-pub for my work because of how trad-pub works and dictates the market, yeah. All of this.

I was told point blank Hunger Pangs would be unmarketable without major changes. The book trad-pub wanted to turn it into was unrecognizable from the one I pitched. And frankly? It wouldn’t have sold as well.

It would have been another cookie-cutter love triangle with zero staying power in the market. And the publisher would have turned around and made that my fault, despite the fact that what they wanted me to do was ableist, bi-phobic and honestly dull as dishwater.

My book as is, is true to my style, my voice and the story I want to tell. And it’s good. (It also continues to sell well after five years on the market, which I’m sure grinds the gears of certain people at my former publishing house who told me it’d be lucky to sell a handful at most, so lol.)

I don’t need a trad-pub seal of approval to know that, and neither do a lot of others who are continually thinking their rejection letters are about the quality of their work and not the perceived marketability by the industry.

Is self pub and indie pub easy? Fuck no. It’s a shit ton of work. But personally the creative freedom is worth it for me. I would not be happy in trad-pub. I know this because I wasn’t happy in it as an editor and how we and the authors were treated but that’s a whole other rant outside of this one.

And as someone who has worked primarily with small indie publishers, both as an editor and an author, that was its own kind of no-thank-you for me. Several trad pub editors actually wanted my werewolf book but got shut down by their marketing people, and it eventually went to a small indie house. My former penname was all small indie houses.

They have their own challenges and market niches to fill. More than once I was asked to "spice it up" in the sex scenes (can you imagine, me, not smutty enough) or introduce a conflict I felt was contrived that matched market expectations but not the story I was trying to tell. And on top of all of that, I was expected to do most of my own marketing. Like. If you are gonna make me write to market at the cost of my vision how are you gonna make me then turn around and be my primary marketer? You do see the money faster, but the market also moves REALLY fast, so unless you're pushing your name to the front of every release list like Taylor Swift dropping special editions, the numbers don't usually stay very high. The highest royalty check I ever saw was $750 when Paper Planes hit some very lucky notes back in 2011.

Anyway, I had enough experience in the industry to know that I would rather write my weird little stories than try to market myself onto bestseller lists, so here I am, fully self pub and happily unhinged. (Shout out to my former agent who always had my back even when I insisted on something she knew wasn't marketable. We only parted ways because I felt bad she was putting time and effort into my stuff that I knew she wasn't going to get any kind of returns on.)

The real story is: Publishing is not an overnight success story no matter what route you take, and just like most dream careers, the people who tend to make the most money at it are either extraordinarily lucky or get the main chunk of their wealth from other sources to support them through the lean times.

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