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intento de vida

@thearcherballet / thearcherballet.tumblr.com

adriana // they/them // lone bi puerto rican (aka jkshickey)
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The most important person that you're gonna meet today. This is Dana. She's our charge nurse. She is the ringleader of our circus.

Katherine LaNasa as DANA EVANS THE PITT (2025—)

#the pitt
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Reblogged philtstone
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pippin: man, i sure am stoked to have pledged my undying allegiance to this country! the king even welcomed me in himself! this will be awesome!

denethor: faramir if i could make it so you died and boromir lived i would

pippin:

pippin: what

#lotr
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Reblogged philtstone
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Why does Eowyn want to die?

Because Aragorn won’t love her? Because she feels trapped in her feminine gender role?

These are the explanations we get in the text. However, none of the characters really acknowledge Eowyn’s darkest fear: being taken alive by the enemy.

There are some bad takes on Eowyn that boil down to patronizing her and downplaying the seriousness of her problems. People say that she had a naive desire for glory and Faramir teaches her that war isn’t actually fun. Then there’s the whole “Eowyn was a deserter who selfishly ran away from her duty” argument.

You can only say these things if you ignore how dire the situation was, how close Sauron was to winning, and how gruesome Eowyn’s fate would have been if he won. She knew that death or capture likely awaited her, and she knew that dying in battle was the least bad option. (She also knew her own worth and believed that she was too useful a warrior to be left behind with the civilians. And she was right.)

Eowyn’s actions are ruthlessly practical! She wants to die fighting because that’s better than waiting around for The Horrors. Let’s be real, Eowyn is too sensible to be suicidal over an unrequited crush.

Here are some of her most revealing quotes:

“All your words are but to say: you are a woman, and your part is in the house. But when the men have died in battle and honor, you have leave to be burned in the house, for the men will need it no more.”
“And those who have not swords can still die upon them.”
“Nor is it always evil to die in battle, even in bitter pain. Were I permitted, in this dark hour I would choose the latter.”
“But I do not desire healing…. I wish to ride to war like my brother Éomer, or better like Théoden the king, for he died and has both honour and peace.”

In the end, Eowyn only stops wanting to die after Sauron is defeated. Just before the Ring is destroyed, she tells Faramir:

“I stand upon some dreadful brink, and it is utterly dark in the abyss before my feet, but whether there is any light behind me I cannot tell. For I cannot turn yet. I wait for some stroke of doom.”

Eowyn can’t turn to light and life until the war is over. Hope is too painful; death at least offers “honor and peace.” This passage is so important because it EXPLICITLY links Eowyn’s despair to the outcome of the war and makes it clear that she is not simply having a meltdown because Aragorn rejected her.

There are two important moments where Eowyn is threatened with violence. The very first time we meet her, we are told by Gandalf that Wormtongue planned to turn her into a sex slave after Saruman conquered Rohan. Even though this threat is dismissed quickly, it’s a disturbing reminder of what could happen to Eowyn if Sauron wins.

Then we have the most triumphant moment of Eowyn’s story: her battle with the Witch King. Once again, Eowyn is not threatened with death, but with captivity and torment:

“Come not between the Nazgûl and his prey! Or he will not slay thee in thy turn. He will bear thee away to the houses of lamentation, beyond all darkness, where thy flesh shall be devoured, and thy shrivelled mind be left naked to the Lidless Eye.”

Eowyn laughs at him and makes sure to announce that she is a woman before killing him. Her victory is all the more satisfying because the Witch King has just threatened her with captivity, loss of agency, the violation of her body and mind—all threats that Eowyn has faced before. But the Witch King’s words continue to haunt Eowyn and us. He threatens to withhold death; and death is therefore framed as an escape, a gift. Eowyn is taken to the Houses of Healing, but she is obsessed with returning to battle and fighting until she dies.

When Eowyn says that she fears “a cage,” this is a brilliantly simple metaphor for the entire spectrum of oppression she has faced: from the well-meaning restrictions of her culture to the horrifying enslavement threatened by Wormtongue.

Once the war is over, Eowyn is able to laugh at her fears. She teases Faramir: “And would you have your proud folk say of you: there goes a lord who tamed a wild shieldmaiden of the North!” Her fear of being caged has been turned into a bit of flirtatious banter. She feels completely safe with Faramir, and the idea that he “tamed” her is nothing but a joke between them.

#lotr#eowyn
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Reblogged gael-garcia
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companies make billions from you thinking you're ugly btw. only ugly thing is their bottom line. log out of tiktok right now.

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learning to ask 'is this an ad' will save your life

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