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I Have The Moon

@youhavethesun

will overanalyse anything but buffy, gilmore girls, the x files, the oc, and community are rotting my brain<3
dilys she/her 21

do you ever see someone’s comment about a film/tv show you watch or a book you’ve read and wonder if maybe we all truly live in different realities and the internet is the only commonly shared space which doesn’t change across universes, because it isn’t fucking possible to draw such dumbass conclusions about a thing unless we’ve seen/read different versions of it

the cruciamentum is so so horrendous and it’s never really spoken about in the show again after s3 but I think especially after what we learn in s7 about the first slayer’s origins it’s just. yeah..

all the slayer is and all the slayer ever will be is a weapon for the council to wield. and if that weapons succeeds in making it to her eighteenth birthday, a feat that is impossible for so many slayers to achieve, they are tested like products in a factory, examined to see if they meet the standards of their maker. they’re stripped of the armour that they were forced to don so that any hidden imperfections may be detected. it’s a way of weeding out the defects, a system in place to speed up the assembly line. they’re not girls, they’re machinery. and if there is a fault in their wiring they will always be replaced.

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jame eagan being like when my children grow up i stop seeing kier in them. helena grew out of it, so i made more children, and children don't last. but i see it in you, less than one year old helly r. my daughter, a little kid again, a girl i can create again and again and again. in the "it's all because of child exploitation" show

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lumon's department sizes are so funny. "how many people do we need to refine some super important data?" uhhhh four i guess. at most. "what about the company marching band?" fuck ur so right. we need a company marching band with like fifty people. this is of prime importance to the lumon mission.

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y'all, it was always going to end this way. from the moment mark scout told mark s. about reintegration, it was always going to end this way. mark scout literally looked mark s. in the eyes and said "we're going to have a life, and it's going to my life. we're going to live in my house with my wife and have the life i want. and you're going to like it because you're an extension of me." he didn't see mark s. as a person and that, in the end, was his greatest downfall.

mark s. did what mark scout asked. he fought his way to the elevator and he ran ms. casey to the stairs so she could be gemma again in the outside world. he saved the poor, tortured, woman trapped in lumon's basement because that was the right thing to do. but then, when faced with a choice between dying forever or turning around to try and somehow have a life of his own? with the woman he loves? of course he turned around.

this doesn't have anything to do with which ship is better or what was the most logical thing to do or even what mark and helly are going to do now. the point is mark s. stood there at the door, at the literal precipice of death, and said "i want to live. i want to live. i want to live." and come on, wouldn't you do the same?

buffy the moment she’s decided she’s been granted the moral permission to care openly for spike: if anyone touches this man without my permission i’m firebombing this entire town

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