weakest dumont of his post-quinquin period, but still top tier cinema. funny, smart, imaginative and so fucking dumb.
noticed lynchian fragments earlier, but here the influence, even quotation is very obvious.
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Mickey 17 2025
there are some great slapstick moments, but other than that — pretty flat satire and boring plot. good cast don’t help at all, and ruffalo, with all my love, is quite annoying. tbh, trump as a villain becomes very stupid cliché that cannot be executed inventive or even funny.
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L.A. Takedown 1989
proof that low-budget procedural with a bunch of nonames could be better than all that crap called contemporary art-mainstream. michael mann rules.
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