Alex36

Alex36 Pro

Favorite films

  • Symbiopsychotaxiplasm
  • Petite Maman
  • In the Mood for Love
  • Cléo from 5 to 7

Recent activity

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  • I Know What You Did Last Summer

    ★★

  • Julien Donkey-Boy

    ★★★½

  • Baby Invasion

  • Calendar Girls

    ★★½

Recent reviews

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  • Baby Invasion

    Baby Invasion

    — whatever weird-ass edit the company (HK himself threw together —

    Baby Invasion (the demo ?) is somehow a captivating experience providing you can submit to it, that proves to be engrossing despite its chaotic nature. Korine’s inventive dreamscapes and dynamic visual transitions stood out for me, creating an immersive atmosphere that pushes the boundaries of conventional filmmaking.
    I’ll freely admit I’m so detached from gaming, and social spaces where interaction is visual such as twitch and discord that the film…

  • Caligula: The Ultimate Cut

    Caligula: The Ultimate Cut

    ★★★

    A Low-End "Three Stars"

    Caligula doesn’t quite deliver on its promise of political intrigue or a fully fleshed-out character study. While there are moments of merit, they’re often buried under long stretches of tedious, poorly executed filler, mostly in the form of explicit content. Dated; and no longer gasp aloud shock sensitive!

    That said, there’s positives to be found. The film is a campy showcase of acting, with McDowell giving a performance half way stage-half way panto. Occasionally he thinks…

Popular reviews

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  • Anora

    Anora

    ★★★★½

    -Screened at LFF
    From the very apt and very Baker-esque title sequence, a smirk I would not lose for the entire first act of the phenomenal Anora presented itself, one where in absolute joy I wanted to break into laughter, not least in it following Red Rockets opening but because I just knew this was my director and he had us all where he wanted within two minutes.

    Anora, which, in trying to give value to explaining the plot outside…

  • Emilia Pérez

    Emilia Pérez

    ★★★

    I am unclear about how Emilia Perez came to be or why, how, and when the acclaimed 72-year-old and fave of my own French director Jacques Audiard decided to transform this once-extended opera (a genre he has never shown interest in, to my knowledge) into a bilingual commercial musical- for fucking Netflix studios lol.
    It’s bizarre, and result is perhaps equally so.

    If the introduction suggests any bias toward Audiard, I’ll admit that, as important as he is, I will…