I don’t rate movies because you’re not supposed to rate art. I show my appreciation by writing a review or giving them a ❤️ :)
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Nosferatu 2024
It’s clear without even watching the film that Ellen is not part of a “love triangle” but a victim. Count Orlok doesn’t symbolize Ellen’s “dark desires”; he is the embodiment of an abuser and groomer.
In Murnau’s, Herzog’s, and Eggers’s adaptations, as well as in Bram Stoker’s original story, the narrative revolves around male control and obsession with women’s sexuality—not their free expression of it. This fixation is the core of the horror.
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The Umbrellas of Cherbourg 1964
Wow. Did Geneviève and Guy truly choose their new lives over each other, or was it just a matter of resignation? Geneviève needed security, and Guy needed to move forward, but did they ever truly let go of what they once shared? That lingering question is what haunts me. In La La Land, there’s a sense of acceptance and closure, as if neither regrets how things turned out. Here, though, I sense regret and sorrow, which makes it more heartbreaking.
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The Ethnographer 2012
En primer lugar, me gustaría empezar diciendo que las escenas en donde John "entrevista" a su señora y suegros me produjeron un debate interno gigante, ya que no sabía si él los estaba escuchando con el propósito de estudiarlos o darles una plataforma para compartir su experiencia personal.
La línea entre "familia" y "sujetos de estudio" siempre ha sido delgada en las auto-etnografías, hecho que no me genera rechazo necesariamente, ya que considero que no hay nadie más apto para…
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A Clockwork Orange 1971
I CAN’T BELIEVE KUBRICK EVEN DARED TO RUIN THE SINGIN’ IN THE RAIN SONG. HAPPY YO SAY HE FAILED BUT IM FURIOUS.
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