5’11” (if it matters)
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Columbus 2017
Two wounded people embark on a (beautifully shot) architecture tour.
Kogonada masterfully uses architectural, natural and interior environments to create a backdrop for his characters to reflect, mourn and find common ground.
His characters move through their (stagnant and painstakingly composed) frames at a glacial pace - the measured, scanning walk one often employs at a museum or the walk equivalent to the actual time it would take one to truly appreciate these spaces in-person.
Kogonada is not in a rush, we shouldn’t be either!
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The Substance 2024
maybe the real substance was the friends we made along the way
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