hard to define the feeling behind the form. there’s a pervading sense of detachment, but it’s different from the protagonist’s hopelessness. the camera leans towards impersonal, but is not without moments of humanism.
there’s a very strict sort of smoothness to the way the film flows: doors open/close, characters enter and leave frame, hands sift through objects; all in a very calculated and precise way. the rigor creates a sense of inevitability to everything that happens (much more present in…
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The Devil, Probably 1977
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School of Rock 2003
Today in the shower I realized the guy running the battle of the bands is Bret from Pulp Fiction
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