Thirteen nominations…? For what?
Frankly, watching Emilia Pérez for any insight into the trans experience is like watching Fifty Shades of Grey to learn about BDSM.
The film is riddled with negative stereotypes and myths about the trans community and Mexican culture.
It constantly frames anger as masculine and empathy as feminine, and Emilia’s outbursts later in the film are consequently treated as a “Jekyll and Hyde” transformation, as if she’s reverting back to her old, “masculine” self just to…