Andrew Reynolds

Andrew Reynolds Pro

Favorite films

  • Raiders of the Lost Ark
  • Blade Runner
  • RoboCop
  • Candyman

Recent activity

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  • X-Men Origins: Wolverine

    ★½

  • Public Enemies

    ★★★½

  • Funeral in Berlin

    ★★★½

  • X-Men: The Last Stand

    ★★

Recent reviews

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  • X-Men Origins: Wolverine

    X-Men Origins: Wolverine

    ★½

    A disaster. It's sort of a portent of things to come and a warning from the past as to just how dire these movies can become.
    It starts with something at least. The idea of Logan hunting down an unknown assailant murdering his former comrades at least has the shape of a movie to it, but it quickly descends into an absolute mess of poor decisions, ill-conceived ideas, weird characterisation, wavering tone, a hurried need to set up a franchise without even making one good movie first, and the acting chops of will.i.am.

  • Public Enemies

    Public Enemies

    ★★★½

    For the first twenty-five minutes, this rivals some of Mann's best work. It lays out the stakes, sets the world up, asks questions that you hope the movie will pay-off and does it with such style (that prison break though) that you think you're about to crown it as his best work since Heat...
    And then it sort of loses its way. There's not the central conflict so present in Mann's other work to hang the rest of the movie…

Popular reviews

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  • Live Wire

    Live Wire

    ★★★★

    Water way to have an adventure!

    Pierce Brosnan stars as not Mike Graham, a bomb disposal expert and professional cuck who when not stomping moodily around a Washington where literally everybody knows his wife is cheating on him, also has to solve the mystery of why a Senator went boomy boom.

    There are so many baffling, insane moments it's difficult not to just list them. Take for example, the audacity of using real life footage of terrorism in Beirut and…

  • The Matrix Resurrections

    The Matrix Resurrections

    ★★★★★

    Fuck it, it’s a five-star movie.

    I get why people wouldn’t dig this movie. It’s too self-referential and doesn’t contain or isn’t interested in pushing the action envelope in the same way that the original was but, it’s so rare to see a blockbuster with such a personal story to tell, that I can overlook what it isn’t and just love what it is – a beautiful, heartfelt tribute to the power of the creative act that’s so in love with its characters that it’s willing to bite the hand that feeds it to keep their legacy alive.