Andrew Gaudion

Andrew Gaudion Pro

Writer. Film Enthusiast. Hails from the island of Alderney, now lives in London seeking his fortune. 1/2 of Ramblin: An Amblin Podcast.

Favorite films

  • The Truman Show
  • Alien
  • Jurassic Park
  • Jaws

Recent activity

All
  • In the Lost Lands

    ★½

  • Here

    ★★½

  • Wild at Heart

    ★★★★

  • Blue Velvet

    ★★★★½

Pinned reviews

More

Recent reviews

More
  • In the Lost Lands

    In the Lost Lands

    ★½

    I was often quite taken with how certain compositions and framings of this looked, managing to make its CG environments look more impressive and atmospheric than some movies that have four times its budget. But aside from its visuals, there's very little to cling onto here, with a script that fundamentally fails at establishing much sense of lore or genuine intrigue in the bland characters and dull plot that wants to be a Mad Max with demons and beasts but doesn't know how to make that seemingly slam-dunk concept function at a basic storytelling level.

  • Here

    Here

    ★★½

    I respect the swing of this thing, which can be quite effective in terms of narratively and visually weaving across time to give it strong thematic grounding. But it can also really clunk in some transitions, and Hanks and Wright just don’t ever really convince thanks to the de-aging which fails pretty much whenever it’s implemented. The whole look of the thing also has a distancing effect after a while, as the artifice of it all can be distractingly obvious and…

Popular reviews

More
  • Reminiscence

    Reminiscence

    ★★½

    What a deeply silly movie. It is overwritten in nearly every aspect, from its near future dystopia world-building to its hammy neo-noir voiceover. It drowns its own ideas in its flooded city landscapes, occasionally offering some intriguing images in a world that see-saws from fascinating to befuddling. It wants to be a Philip K. Dick joint, and I admire it for doing something original and a bit strange, but too many components simply don’t fit together. Still, I must admit,…

  • Bohemian Rhapsody

    Bohemian Rhapsody

    ★½

    Formulaic, completely surface-level, smug and generic, all words I would never use to describe the actual band Queen or their front-man Freddie Mercury. Rami Malek is the only one trying for anything that feels authentic, but the film around him is having none of it, simply content in broadly expressing the complex nature of the music and of Mercury himself. If it were any other band or man, this would be a two-star biopic, but the fact that it is Queen, it feels all the more tragic and reeks of missed opportunity. And that just breaks my heart. But hey, at least the music is great.