A beautiful film. I felt well wrapped in pretty gothic vibe. There was so little light and color that, at times, I’d forget it was not a black and white film. And rats. So many rats.
I very much loved the jump scares. It made me do a tiny scream out loud, and that’s a pretty good feat.
But as for Nasferatu films overall, give me Herzog’s.
Set in New York, there is an emergent disease spread by cockroaches, that is claiming the lives of children. In a desperate gambit to eradicate it, a scientist develops a genetically modified insect that will excrete something that will rid NYC of roaches— what could go wrong?
The giant man eating bug problem starts three years following the development and release of entomologist Dr SusanTyler’s Judas Beetle. She immediately seeks to directly end the infestation and restore New York to…
This film left me with far more questions than answers, and not in that grand way a magnificent piece of art brings you to contemplate The Great Mysteries, or meditate on passion.
No.
This film filled me with timeless questions such as:
Why? Why did someone feel the need to make this? and, How Can acting be that wooden? along with, Have the writers actually participated in human conversation, or is their knowledge more theoretical?
All Monsters Attack was in heavy rotation in the school break matinées of the early 70s. Rewatching took me straight back to my neighborhood theater, where a couple of bucks got me a movie ticket, popcorn, and a soda, while my mom got 2 hours of peace.
Is it a great film? No! Is it a good film? Probably not! I see critics generally agree it is among the worst of the Godzilla movie offerings, and that might be true…
