There are almost exclusively two kinds of characters in the films of Robert Bresson:
(i) the weak but saintly protagonist, silently suffering through endless injustices and humiliations, and
(ii) sadists, i.e., every other character in the film
There are maybe three or four moments in Mouchette when our young protagonist is shown any hint of kindness. Arsénse, a drunkard, shelters her from a storm after she gets lost. But only to rape her a few moments later. A shopkeeper offers…