The wait was worth it.
97/100
Exceptional cinematography.
This is a folklore that's absolutely high on ambience. Even though I haven't watched much folklores but this one constructs it's eerieness very effectively.
90/100
Julia Ducournau's cinematographic perspectives and technical aesthetics support the entire conundrum of birth, death and parenthood where the contextual shortcomings of the presentation is overridden by her ingenious absurdity which makes itself prominent since the first sequence itself. The 2021 palme d'or winner presents itself on the perceptible helm of a Cronenberg-ish body horror where Julia's individual elements of a gut wrenching crudeness as demonstrated by her earlier in ‘Grave’ 2016 maintains the graphic ferocity from it, making our skins…
Bong Joon-ho's anti capitalistic societal satire is a definitive genre blender that goes on to provide the delightful dramatic satisfaction while intrinsically tackling on much serious issues of class dissidence which are not solely limited to a specific contemporary society. Even though Bong's superlative peak can arguably stand to be 'Memories of Murder' 2003, exploring psychological states of brutality in the most non substantial manner, 'Parasite' will stand it's position in being a close second with it's abundant usage of…