solid double bill with this and the master.
just 2 dudes duking it out.
i’m the psycho who relates to both of them,
in both the movies.
solid double bill with this and the master.
just 2 dudes duking it out.
i’m the psycho who relates to both of them,
in both the movies.
with every installment, peele has very intentionally dropped the act of — not that it was ever a glaring issue — masking easter eggs as verisimilitude-creating details. he has decided to save all that creative expenditure and invest it elsewhere: depth; like, actual, thematic depth.
he still confuses me sometimes, though, cause i don’t know if his arcs are self-contradicting because he’s confused, or i am the confused one cause, well, he is a clever writer.
but i love praising…
damn looks like i’m adding to the already stacked pile of positive reviews.
it’s great, it’s fun. i laughed, and i laughed even harder.
charmed me from the first few minutes.
also had my butt clenched in quite a few scenes (bradley cooper you crazy bastard, i love you).
but paul thomas anderson cheated cause you can’t put mccartney AND the doors on the soundtrack and expect me to not like the movie.
somehow eisenstein is responsible for this.
actually liked it, though. fun