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The Brutalist 2024
I recently read Roger Ebert's Scorsese (obviously) and his line about Raging Bull has been rattling in my brain: "A film is not about its subject; it's about how it's about its subject."
It feels like nearly every piece of this film is hiding in plain sight - from its title to its "monumental" set pieces to its tagline to its themes on enduring pain (emotional and physical), building legacies, the dangers of materialism, etc. etc. etc.
Is all of this in your face a little bit? Yeah. Is that a bad thing? Not if you ask me.
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Dune: Part Two 2024
not a question, more of a comment: the worms rly seem like a logistical nightmare when it comes to loading and demounting
anyways full body chills for the last 40 mins
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Killers of the Flower Moon 2023
what a beautiful feeling to know that every story is safe in martin scorsese’s hands
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