The year's most rousing and disastrous spectacle also happens to be an absolute riot. The Room is funny because it's dumb. Megalopolis is funny because the same generational talent who conceived Apocalypse Now somehow believes that any part of this constitutes his best, most creative effort.
"Nothing is so terrible as a pretentious movie. I mean a movie that aspires for something really terrific and doesn’t pull it off is shit, it’s scum… and everyone will walk on it as such." - Francis Ford Coppola