Bert Dockx

Bert Dockx

Favorite films

  • Shadow of a Doubt
  • The Seasons
  • Le Trou
  • Tropical Malady

Recent activity

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  • Black Bag

    ★★★★

  • All We Imagine as Light

    ★★½

  • Chime

    ★★★★½

  • I'm Still Here

    ★★★½

Recent reviews

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  • The Conversation

    The Conversation

    ★★★★★

    I’ve seen this film many times and it never fails to grab me. Here’s a thriller where the suspense comes not from the protagonist’s fear of being killed, but from his fear of others being killed, making it a deeply human(istic) film (albeit an overwhelmingly bleak one). 

    Harry’s downfall comes from failing to compartmentalize, from not being able to continue suppressing his capacity for empathy. But in this world, in order to succeed, compartmentalizing is key. Truly investigating the consequences…

  • The Empire

    The Empire

    ★★★

    Some thoughts:

    Enjoyably weird and irreverent, but not as subversive as I had hoped.

    Full of interesting and often funny contrasts. 

    Loved the design of that mothership / cathedral.

    So yes I had fun, but at the same time couldn’t help thinking that some of Dumont’s comedy shtick is starting to wear a bit thin.

    Dumont is, of course, still a master in filming the French countryside in a way that is naturalistic and painterly, and touching in its sincerity…

Popular reviews

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  • Speak No Evil

    Speak No Evil

    ½

    Cynical nonsense with one trite, reactionary point to make: modern society has made middle-class men soft, unable to fend for themselves, let alone for their wife and kids. The horror! 21st century man is weak and indecisive! So he has to Suffer ...

    The story is silly and often predictable, full of cheap ironies and contrivances, illogical behaviour and convenient coincidences; the characters are one-dimensional and clichéd; the acting is mediocre; the cinematography (or any other formal aspect) uninspired, bland.…

  • Point Blank

    Point Blank

    ★★★★½

    What a unique, brilliant film. An enigmatic crime / revenge thriller that manages to be exciting and abstract, funny and scary, existential and political, in-your-face and dreamy, goofy and beautiful, all at the same time. You could call it psychedelic, in the truest sense and best way possible. It’s also a smart, stylistically inventive deconstruction of the genre and of certain movie archetypes, and a great example of style and form becoming content. Only cinema can do this kind of…

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