i'm at the movies, i don't remember what i'm seeing
they/them
incredible. such bold and unique storytelling that becomes more and more ethereal yet realized as each minute passes. while i was worried at the beginning that this focused lens of perspective would limit my emotional connection to the story, this worry quickly dispelled.
nickel boys serves to act as a pathway to memory. the diegetic music, sounds of everyday life, and scenes that capture the essence of what it is to be human, combine for a spiritual experience. most striking…
A candy-colored clown they call the sandman
Tiptoes to my room every night
Just to sprinkle stardust and to whisper
Go to sleep, everything is alright
lynch, you have a knack for creating worlds that enable us to feel. everything. so singular, so familiar. so strange, so inviting. thank you.
stripped back and slice of life-core. immense restraint and poise demonstrated by the director and the actors. reminded me at times of wong kar wai.
i could write a thesis on this story and scorsese’s herein rendition. in short, a modern masterpiece. what a wonder that scorsese can still churn out these vile, evil, frenetic yet meditative, and insidious movies at 81.
and yet — he is reinventing himself in killers of the flower moon. there are stylistic nods to some of his past works. but killers is almost a rejection of what a lot of us thought it would be. it certainly isn’t just…
"The whole world is watching."
I admire Aaron Sorkin. I don't think any modern screenwriter has created their own lexicon and iconography as well as Sorkin has. From The West Wing, to The Social Network, he has had his lasso looped around the script and commanded it to his will.
But even with all of this success, I still don't find his style perfect and his directing is rough around the edges to say the least. The Trial of the…