I share my bad film opinions on the internet.
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Possession 1981
Possession captures that deep, bleeding feeling when everything seems to be coming to an end; no matter what efforts are tried, there is no reassembling all that has been shattered, and recapturing what was once there by any obsessive means...
It also captures my feelings of having to be in Philly for more than a minute.
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Tokyo Drifter 1966
There are very few characters that can give themselves a great name and diagetically sing their own theme song without coming off as tawdry. Luckily, Tetsuya Watari is just that bloody guy.
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The Monkey 2025
Give it the same visual style/direction as Longlegs, lean more into the supernatural and absurdist humor, spend less time in the past, and I would've been a monkey's uncle.
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