Film graduate student. Excess doll. Cinefilia é doença.
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LA Plays Itself 1972
At first I was mesmerized by the type of ethereal / nature-loves-courage compositions of imagery that nothing resembles the contemporary harsh-ring-light-in-hotel-rooms of contemporary gay pornography. But then it started leaning into more BDSM themes and I got struck by the violence with which it intertwined the aesthetic facettes of the historical affairs between gay culture and fascism. On top of all that the makings of a big city as the landscape. This is one for the books for sure.
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The Deliverance 2024
The comments section on this one was sending me so hard that I decided to give it a try and the experience was way less painful / cringe than I thought it would be. Mother Close impersonating a black woman impersonator was kinda glam (seeing from an outsider of amerikkka point of view). A character very much in tune with the state of culture we live in (peep the sassy phenomenon Alex Consani, for instance). Andra Day’s performance was also…
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Giselle 1980
Carlo Mossy em entrevista concedida a Andrea Ormond, publicada no blog Estranho Encontro:
Estranho Encontro – Algumas cenas são épicas ainda hoje... Aquela em que você beija o Ricardo Faria, queria que você comentasse, e a cena com o Zózimo Bulbul, que também é outro marco completo.
Carlo Mossy – Eu avisei pro Victor di Mello, e o diretor de fotografia: Olha, segura a câmera porque eu vou dar um beijo de língua no garoto. O Ricardo Faria é gay,…
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Venus in Furs 1969
i just watched this by mistake thinking it was the jesus franco joint and i lived the whole time.
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