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The Lighthouse 2019
Almost no words for this except that it's strikingly beautiful and definitively mad. I love the open ended-ness of just about... absolutely everything. The Lighthouse has no objectivity. You can't trust a single word from either men. You can't really trust anything you're seeing, either. There are hints at past trauma and abuse lingering from within them both, but we only see them take it out on each other. Nothing is resolved, yet by the end, you can almost understand…
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Catch Me If You Can 2002
Incredible honestly, everything you could want from a movie like this and more. It's already a given this movie would be great considering Spielberg's directing and John William's score, but what really moves the needle on this film is the incredible story. It's so simple yet so layered thanks to superb smart dialogue writing. You can't root against either of the characters and want them both to succeed, despite the conflict pitting them directly against each other; which is also…
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To Kill a Mockingbird 1962
The most favorable adaptation that a book of this stature could ask for. It is worth the praise of the writing to signify how alive the small town of Maycomb feels despite its glaring flaws in its community. Saying the presentation of the town feels only lived in would be an understatement. Gregory Peck as Atticus Finch has one of the most commanding presences ever, immediately receiving all eyes on the film in every scene he's in. The courtroom scene…
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Heat 1995
Very pleased to learn that this is an intensely character-driven drama before it is anywhere near a heist movie. Michael Mann creates the upmost beautiful and stimulating LA visuals by combining focus with lighting and color. This would go far in a contest against Terminator 2 for best blue film.
It's rare you finish a movie feeling like you truly know everything about the characters. But of course, all time performances from De Niro and Pacino at the peak of…
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Glory & Gore 2024
Glory & Gore far exceeds expectations and would be not just watchable to anyone outside the Emerson bubble, but genuinely enjoyable. Smart writing, (mostly) intricate shots that actually have composition, individual characters who all feel necessary to the plot while wasting none of the precious runtime, and set design, coloring, sound, editing, and music that all come together to package this short film into a surprisingly fun, funny, and entertaining fairytale college drama.
To start with the characters, take Nate Oaks'…
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