Corey Duff Macleod

Corey Duff Macleod

Favorite films

  • Porco Rosso
  • Fantastic Mr. Fox
  • Fight Club
  • Trainspotting

Recent activity

All
  • The Big Lez Show: Choomah Island 2

    ★★★★½

  • Tales from Earthsea

    ★★★

  • A Complete Unknown

    ★★★

  • The Boy and the Heron

    ★★★★

Recent reviews

More
  • The Big Lez Show: Choomah Island 2

    The Big Lez Show: Choomah Island 2

    ★★★★½

    A nostalgic blast from the past that opened my younger self to a lot of spiritual and philosophical thinking, with the themes of spiritual enlightenment embedded within skitz shit.

    The commentary on the plane, between the first and second act is scarily more relevant now than it was 10 years ago.
    Time goes far too fast.

    The Big Lez Show is, whole-heartedly, the reason I aimed to study animation; always going to love it!

    [watched, while working on a my main degree animation project, in the uni studio]

  • Tales from Earthsea

    Tales from Earthsea

    ★★★

    It's difficult not to critically compare Goro's work to his father's... so, that's exactly what I'm going to do.

    The approach to the nature of people within Goro Miyazaki's work differs (almost as a complete opposite), in comparison to Hayao Miyazaki's films. In Tales from Earthsea, the world feels a lot more pessimistic. People are inherently bad, with good souls being the outlier -- in stark contrast to Hayao's philosophy in his films.
    It's not worse; just different.

    My girlfriend…

Popular reviews

More
  • Cocaine Bear

    Cocaine Bear

    ½

    The bits where you see the Cocaine Bear are fun to watch. They should make a movie where it's mostly a Cocaine Bear on screen and call it Cocaine Bear.

    Porn writers make characters more engaging than this.

    For this to be boring was a crime. The movie is so bad, it actually offends me. How was a movie about a bear on coke boring?

    [watched, drunkenly, with my mum, dad and brother]

  • Nosferatu

    Nosferatu

    ★★★

    While incredibly influential and culturally enduring, unsurprisingly, a 1922 horror film does not hold up to today's modern psychological standards.
    Myself and my girlfriend were giggling at things that (at the time) were likely frightening to audiences. Now, that we know the inner workings of how films are made, a lot of the effects seemed goofy and silly (along with the silent performances; that were pantomime-quality (again, by today's standards)).
    This is not to say I didn't enjoy the film…

Following

14