i use the heart button a lot | kelly reichardt film enthusiast
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Millennium Mambo 2001
A listlessness floats under the neon lights. Traveling through the otherworldly space of the black light glow of the latest nightclub and the next century. Crash landing back to devastating reality of a broken love. Unable to say all the things her body so desperately tries to convey. Picking up trash, flushing ones face in the snow, slouching at the bar, watching the trains go by. A weary voice finds it all. A memory to soak herself back into, a…
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Inland Empire 2006
LA should only be shot through a mini dv camera. washed out daylight or a depthless darkness. just like how it feels every time I step off the plane to go back to my parents’.
the most accurate depiction of the psychological and emotional toll that LA can place on you. an absolute fever dream. a masterpiece.
sweet!!
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Then a Year 2002
During the credits, the second crawl reads “roses by Todd Haynes”, and from that, I somewhat understood what I had watched. Piecing together repetitive and non-coherent imagery, Reichardt steps into the territory of the avant-garde to create a film steeped in ominous tranquility demonstrating the isolated and restricted emotions of love between people. Through the construction of true-crime dialogue to provide narration to the film, Then, a Year provides a seemingly meta-commentary of the often procedural, cold, and isolated view…
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