"Stay a minute."
"Why?"
"The light is beautiful.”
Overflowing with meaning and transformative in a way that few movies are, Red doesn't just surpass Blue and White—it elevates the whole trilogy. The intertwined connection on display here, of character turned reminiscer turned director turned dreamer, makes the severance of that connection in Blue all the more grief-inducing, the optimistic rediscovery of Valentine a mirror to Julie's pessimistic loss. Karin's carefree autotelic personalized weather reports in turn make Karol's blind pursuit…
