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Go 1999
Everyone's trash and that's the point, but I was mehhing all the way from 30 minutes to the denouement.
I loved the chaotic rave energy in the opening minutes. Sarah Polley's sullen indifference is captivating. Timothy Olyphant has a certain disgusting charm, and I'd watch him in anything. The three "perspective" structure—which I use loosely because it affords us nothing, really—feels like a 90s gimmick (that said, I think gimmicks are fruitful indications of a lot more about a culture, but that's about as far as my thought has travelled...).
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