Fascinating historical artifact showing a lot of different cultural currents.
Particularly, the depiction of race in this is quite something. The main character is Black (itself feeling odd for a 30’s film), but also feels cunning and selfish in a way meant to project as threatening. The fact that he attacks and kills white men, runs from the law, and proclaims himself a king with divine right only adds to the scandal. Jones’s refusal to acknowledge Smithers as his better…