Elise

Elise

Favorite films

  • Mulholland Drive
  • A Streetcar Named Desire
  • Giant
  • Strangers on a Train

Recent activity

All
  • Torch Singer

    ★★★

  • Lured

    ★★★½

  • Beyond Therapy

  • The Fast and the Furious: Tokyo Drift

    ★★½

Recent reviews

More
  • The Fast and the Furious: Tokyo Drift

    The Fast and the Furious: Tokyo Drift

    ★★½

    Had a blast watching this at the sold-out Music Box screening with my pals. Miscellaneous thoughts:

    -They don't make blockbusters like this anymore. With all of its absurd dialogue delivery and incoherent race scenes, the film has a distinct style, shot on film (and presented in Cinemascope at our screening) and perfectly paired with its soundtrack. It is highly kinetic, but lacks the overabundance of CGI and compounding predictable plot twists we associate with its modern counterpart. The style falters…

  • Crash

    Crash

    ★★★½

    Well!

    Crash mirrors the manner in which our society has rerouted the direction of natural human desire with stand-in fetishized objects of the market. We are conditioned over the course of our lives to covet the material, to conflate our identities with the sum of these parts, to address our needs with these aims only to be continually dissatisfied with the actual net result. And yet we retain the motivational framework, continuing our course towards these same dead ends.

    Crash

Popular reviews

More
  • Speed

    Speed

    ★★★★

    In which Dennis Hopper develops a multimedia exhibit for MoMA consisting of assorted monitors, televisions, and one (1) mannequin.

  • Basic Instinct

    Basic Instinct

    ★★½

    "It's called suspension of disbelief", Catherine Tramell tells us early in the film, describing just how she has become intimately comfortable with the art of emulating truth where there is none. Both we and Michael Douglas' Nick Curran first remain steadfast in our estimation of the apparent truth, amused by the clear manipulation we see in the character's machinations. But by the tail end of the film, both he and the viewer begin questioning who's testimony we believe, revising our…

Following

8