Enigmatax

Enigmatax Pro

cinema can be briefly described using the introductory paragraph of A Tale of Two Cities. in my opinion.

Favorite films

  • In the Darkness of Time
  • Sans Soleil
  • La Jetée
  • Your Name.

Recent activity

All
  • Mickey 17

    ★★★

  • Fate

    ★★★

  • Flow

    ★★★

  • Kedi

    ★★★★½

Recent reviews

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  • Past Lives

    Past Lives

    ★★½

    it's not even a real love. it's a pathological example of grief and love. the story has absolutely no depth. it's a movie that fails to achieve intensity even though it consists of only three people. superficial characters. and believe me, I have a hard time understanding how this movie got this praise with such a raw narrative. except for the cinematography.

  • The Banshees of Inisherin

    The Banshees of Inisherin

    ★★★★½

    Loneliness is the most basic word observed and emphasized in the film. We encounter different forms of loneliness manifesting differently in each character. Perhaps this is why, by the end of the movie, we are left alone with all the aspects of ourselves that we feel lonely, and we experience intense emotion under the weight of this. We feel that the desire not to be alone stems as much from our love for others as it does from the fact…

Popular reviews

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  • Guillermo del Toro's Pinocchio

    Guillermo del Toro's Pinocchio

    ★★★★

    The trauma (Pan's Labyrinth) Del Toro gave me as a child is still so fresh that while watching this movie, I prepared myself for the worst in every scene. The emotional rollercoaster moods of Pinocchio were magnificent. Also it was an interesting experience to watch a movie with almost -I'm exaggerating a bit- 300-400Ms. Finally, I wish I'd quit school when I got confused too.

  • La Jetée

    La Jetée

    ★★★★★

    Memory has never been used so impressively in cinema before. He shed light on the beginning of cinema with his photographic frames and on the cinema of the future with his mind. La Jetée is a bridge that is as wide as can be and stands right in the middle.

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