Synopsis
She climbed the ladder of success - wrong by wrong!
A young woman uses her body and her sexuality to help her climb the social ladder, but soon begins to wonder if her new status will ever bring her happiness.
A young woman uses her body and her sexuality to help her climb the social ladder, but soon begins to wonder if her new status will ever bring her happiness.
Barbara Stanwyck George Brent Donald Cook Alphonse Ethier Henry Kolker Margaret Lindsay Arthur Hohl John Wayne Robert Barrat Douglass Dumbrille Theresa Harris Joan Barclay Charles Coleman Heinie Conklin Grace Hayle Maynard Holmes Nat Pendleton Edward Van Sloan Toby Wing James Bush Jack Curtis Frank Darien John Elliott Harry Gribbon Edward LeSaint Reginald Mason Spec O'Donnell Henry Otho Donna Mae Roberts Show All…
Liliane, Carita de ángel, Мордашка, Serpente de Luxo, 娃娃脸, 베이비 페이스, Bebek Yüz, 紅唇罪あり, En farlig kvinna, 娃娃臉
Men: [Suicidal after ruining entire life to be with her.]
Barbara Stanwyck: I'm baby.
Hard to separate this grimly funny patriarchal revenge fantasy about Barbara Stanwyck applying Nietzschean philosophy regarding exploitation and pure performative erotic intensity ("Be strong, defiant! Use men to get the things you want!”) to go from abused speakeasy prostitute to millionaire banker mistress during the Great Depression from her real life; she even has her broke orphan character Lily Powers reference her real-life time spent as a burlesque chorus girl. There's so much subtle pain and depth to both the glee and rage she feels in overtly manipulating these men to extract the capital desires from them in increasingly humorous and ridiculous ways, and she's so…
Nietzsche was like “get out there and fuck” and Barbara Stanwyck the GOAT was like “I’m gonna fuck so many guys that you’ll forget one of them was John Wayne by the end.”
Hokey ending but everything up to it is perfect. This film is to the Hays Code as that video of Limp Bizkit blowing up a boat at MTV Spring Break is to 9/11. They might not’ve caused those reactions but in retrospect what other choice was there?
when i find myself in times of trouble, barbara stanwyck comes to me, speaking words of wisdom: USE MEN!!! USE THEM TO GET WHAT YOU WANT!!!
Understandable, I would be easily manipulated by Barbara Stanwyck, and also threaten to kill myself if she didn't want me back
I would very much like to really dig through the Pre-Code era in specific pursuit of films that could be said to have inspired the Code itself by doing everything it didn't want movies to do. Featuring sex (off camera, but lots of it), violence (off camera, but in a shocking manner), and a lot of "adult" moments, it was either someone's last hurrah before the Code went into effect, or it was Will Hays' worst nightmare come true and the straw that broke the camel's back. It even features an African-American character in a prominent if unfortunately nearly silent and completely servile role, which I'm sure caused a little furor as well.
The film is flawed but not unwatchably…
I’m so sorry for exploiting men :( I sure hope nobody punishes me by sending me to Paris where a rich banking heir falls in love with me :(
Me just quietly saying “oh hell yeah” to myself throughout this movie.
Ah yes, another addition to my favorite movie genre: barbara stanwyck scamming men
Come watch Barbara Stanwyck ruin men’s lives for fun and profit!
Alfred E. Green’s pre-Code film “Baby Face” is a comedy of errors; all of them… made by men. As the orphaned daughter of a bar hall owner, Stanwyck sets off to sleep her way to the top of a Manhattan bank. It’s so easy to her, she might as well be doing it with her eyes closed. If only she was a pillow princess, and not a queen.
“Baby Face” has all the tricky and delicious complexity of the best pre-Code films. Before Will H. Hays came to tell America what its morals should be, Hollywood tried to figure them out on its own. The process was an often…
Lady Terminator
Baby Face is a perfect machine of Randian and Nietzschean design set loose in a system that delivers the biggest rewards to the most selfish. One could almost look at this as having a structure similar to a kung fu film: Baby Face, from humble peasant origins, weaponizes her sex and goes on a hero journey ascending through various venal masters until she hits the big boss, and is thoroughly outwitted. Defeated and in exile she rethinks her strategy, and strikes again catching the grand master off guard.
I'm sure I've referenced it before, but I think about this Laura Dern appreciation of Barbara Stanwyck every time I watch one of her movies, particularly the line about how…
Men destroying their lives, nuking their families and careers, and killing themselves and each other because they cannot fully possess Barbara Stanwyk. Outstanding.
"Are you really thinking? Or, just pretending to?"
A hellish machine in perfect synch with Stanwyck play acting changing modes as she moves up on lousy man at a time. It goes predictable sentimental on the final reel, but until them it is forceful, full of great detail, wonderful dresses, cynicism and Stanwyck is just marvelous. "I was hoping you wouldn't be like everybody else. Silly of me, wasn't it?"