Wayward Canadian, Matthew, crushed by the isolation of being new to Berlin, turns his sexual desires toward Matthias that spiral into a dark fixation of assumed identity. Soon, this obsessive power struggle between the two, careens toward brutal passion and violence in a bid for dominance.
Chris Cool Nicolas Maxim Endlicher Nina Kettiger Vika Kirchenbauer Lynn Lahaie Ahmad Larnes António Onio Ivan Rueda Edward Lorenz Ali Esfahani Paul Auls Florian Geyder Erik Mortagne Valeria Farina Drew Lint Linnea Palmestaal Spyros Rennt Filip Samuel Berg Kévin Thomé de Souza Luca Fuchs Maura Camilla Cocco Joe Grainger Dennis Kragers Zazu Myers Alexander Silva Valencia Joshua Hoareau Søren Drastrup Panagiotis Bersimis Elvira Borg Show All…
M-M, Mon Alter Ego
USANR
Slamdance
Switzerland16
Switzerland
USA
White gays just want to date themselves: The movie
Single White Female but gay. Gay cinema is bumping the abstract art house aesthetic of late, and I AM HERE FOR IT.
Light in dialogue, heavy on the techno, formalism and looks, M/M operates as a critique of gay white masculinity and how we create subcultural identity silos, essentially wanting to be who we fuck and fuck who we think we are. It indulges in the same desires it critiques through an overstylized aesthetic that functions as a sterile thriller and a porn video from Cazzo.
While most people would fear their doppelgängers, white gays would probably just f#ck them
y’know those threads on film twitter that are essentially the same ten sanitized queer films over and over again? i want a list but it’s like “queer films that will make you feel exceedingly uncomfortable the whole time ☺️🧚♀️💖😜🥺” bc this would be on that list
my favourite part was the techno
it's like as if calvin klein released a fragrance called "M/M" and this is the 1 hour commercial
RANKING: 2018
M/M is what While You Were Sleeping would look like if While You Were Sleeping did an entire line of cocaine.
Writer/director Drew Lint's attempt at an erotic thriller never quite manages to be all that thrilling or erotic, with the relationship between the largely mute leads never progressing anywhere meaningful before the film's end. Still, the film is beautifully shot and many viewers will be delighted to see a queer film that isn't a by-the-numbers romance or brooding coming-of-age drama.
the one comment i heard while leaving the theatre after this was that it feels more like a vanity project than anything else and a whole group of random people surrounding that person just nodded in agreement. and listen, i’m pretty sure there’s a good movie somewhere in here but, as it is, this wasn’t it. it’s pretty to look at, i’ll give it that.
Warmth of your shiny breast
This season gives you white
Persistence and practice, my begging mother
Please hold me tight
Wasted youth is smoldering
Our lust fell in from stars
Shall only pass this once
Devote only so far
Warmed as your season
Consistently white
Expensive swallow fills my throat
Warned off the preaching
In wavering white
Lost in glossy, now I know
Wasted youth is smoldering
Our lust fell in from stars
Shall only pass this once
Devote only so far
Warmed as your season
Consistently white
Expensive swallow fills my throat
Warned off the preaching
In wavering white
Lost in glossy, now I know
that three ✨ way ✨ kiss ✨
Yikes, but this is all over the shop. For much of the film, I can safely say I had little, if any, idea what was going on. Who/what is real, or not? I have to say that I didn't really care after about ten minutes of this uniquely indulgent nonsense from auteur Andrew Lint. "Matthew" (Antoine Lahaie) takes a shine to cutie Nicolas Endlicher ("Matthias") at the swimming pool where he works. What follows is the dreariest of sexual cat and mouse games peppered with scenes that don't make sense; incoherent photography pretty much across the board (especially the sex) and a dialogue that is almost Neanderthal in nature. I'll admit I never do surreal particularly well, but this is really beyond the pale.
gay porn techno beat asmr
