Synopsis
A young man is sent from Japan to Taiwan in order to get his disenfranchised brother to sign away his inheritance rights.
A young man is sent from Japan to Taiwan in order to get his disenfranchised brother to sign away his inheritance rights.
燕, 얀
Nice, in the first half routine separated-brothers-get-together-drama. One notices in the film that director Keisuke Imamura knows his craft as a cameraman. Beautiful pictures and vividly color schemes in Taiwan make the film visually appealing.
Final Score : 68% 🍏
Two brothers of a Taiwanese mother and a Japanese father were separated as kids after their parent's divorce. 23 years later they meet again and deal with their troubled past...
This tells a well-meant story about identity and family which is undermined by too much cheesy directorial choices. Like the running time of 85 minutes: less is often more.
Still a totally watchable family drama which benefits from a solid cast and lots of on-location shots.
Oh and damn, does Long Mizuma look like Issei Takahashi!
Make or Break Scene: Bar confrontation.
MVT: Taiwan.
Score: 6/ 10
Visually pleasing with a quiet mood and good performances (Long Mizuma has a very likeable presence despite being a brat in this) but I kept thinking that the same themes could have been explored from the two other povs, the mom's and/or the friend's (lover's ?) and probably have made for a more interesting viewing experience. Or maybe it could have delved a bit deeper...
I am never recovering from my siblings issue
Everything about this is just depressing and blue
The color grading and cinematography was really good
透明感が、美しい
泣きたかった
A father prompts his son, a dying wish, to seek the son's brother at Taiwan; their mother's native home, more than twenty years after his older brother and mom had left Japan. Bathed in lukewarm sun and windy seashore, booze and fistfight. Alienated, unresolved, and muddled from the younger Tsubame likewise the older Ryushin become the collapse for two siblings, silenced and locked through their one-sided picture of the mother. Not until the little bird appears, alive.
Sobrang solid ng depiction ng loneliness in not knowing where you fit. Ramdam na ramdam mo ang struggle ng pagkakaron ng two separate worlds at pagiging alien sa both. Tapos ang ganda ng resolution. Ang lala rin ng iniyak ko.
Screened through Chicago Japan Film Collective 2021.
Moving if a bit melodramatic at times. The conflict of identity presented here was incredibly relatable.
Also had the chance to watch "Alone Again in Fukushima" and "The Manga Master," neither of which are here to catalogue sadly. Great festival so far, highly recommend seeing some of these films while you can!
Nippon Connection #1
At times, ‚Yan‘ shows signs of a decent movie. All in all it‘s nicely shot, without being outstanding in this regard. The movie’s themes, wich revolve around identity, family bonds and estrangement are promising. But these themes are miserably executed in ‚Yan‘. The main character has zero personality, the mother‘s motivation to leave a small child behind is, to put it politely, at least questionable (or more honestly: despicable). Still, the movie demands from the viewer to show understanding and compassion for the mother‚S decisions, without putting any necessary efforts to evoke these feelings.
‚Yan‘ clearly wants to be a quiet, slow contemplation about personal themes. Nothing wrong with that, if it’s done competently. Wich isn‘t the case here. In the end, ‚Yan‘ is a visual sleeping pill, disguised as a movie. As that, it works just fine: I slept quite well after watching ‚Yan‘.
Hay pocos pueblos más hincha pelotas con el tema de la identidad que el pueblo japonés. Eres japonés si naciste, hablas y toda tu parentela ha nacido y ha hablado el idioma nipón y tienes sangre japonesa. Y cuando eso no se cumple en su totalidad, ¡puff! queda la mansaca en la cabeza de cualquier nipón promedio. Si eres japonés y te vas de Japón, cagaste, ahora toda tu descendencia nacida en tierras extranjeras tendrá hasta diferentes nombres para catalogar que porcentaje de sangre nipona corre por las venas. Si tienes un padre japonés y una madre extranjera, también cagaste porque si vives en Japón siempre te faltará algo (por algo te llaman "hafu" de "half", eres esa mitad existente…