This movie is Miyazaki most primitive and simple view of nature, and it’s truly beautiful. It’s really hard to give an animal a personality and a voice without humanizing him, but every single one of them had their own without loosing their nature. Every character is so well written but in particular, Ashitaka’s role is revolutionary, he works as a spectator of a terrible war and, but also as an crucial part and defender of both sides. As he goes…
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Ran 1985
I believe that the achievement by Kurosawa of making this movie while partially blind is only comparable to Beethoven composing the 9th symphony while deaf. Every shot is a painting. The majestic use of color combined with a perfect composition permit the creation of some of the best scenes I’ve ever watched.
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Mickey 17 2025
The dualism between Mickey 17 and Mickey 18 is truly beautiful. Mickey’s personality is completely dived in two different bodies which doesn’t make a lot of sense; but is the perfect way to describe the incoherence of the human being and the inner conflict that everyone faces everyday. The relationship of Mickey with the death is also another strong point. Are we afraid of dying or are we afraid of death itself? Even if Mickey knows he is going to…
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Il Sorpasso 1962
“A Robé che te frega delle tristezze, lo sai qual è l’età più bella? Te lo dico io qual è. È quella che una c’ha, giorno per giorno. Fino a quando schiatta, se capisce.”
L’hai capito troppo tardi Robè
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