It's a slight shame that the real star of this picture - the dragon - is put to the sword in the first twenty minutes. Verfluche dich, Drachentöter!
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Destry Rides Again 1939
Among this film's many delights, a small-town saloon the size of an aircraft hangar.
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Hangover Square 1945
I can see why this would have disappointed fans of Patrick Hamilton's novel: gone are the sardonic realism, the specific references to the political malaise of pre-WW2 London, the texture of alcoholic Earl's Court. Instead, the basic plot is transposed to a more conventionally stagey gothic Edwardian setting (partly so Fox could re-use its existing sets), the besotted deadbeat Bone become a doomed composer struggling with his demons.
However, it's also, if one can say so at the risk of…
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Prince of Darkness 1987
The atmosphere is great of course, but this time I struggled a bit with the sheer ludicrousness of the scenario, since this is simultaneously Carpenter's most straight-faced and most preposterous horror film. The image of the Dark Lord's plasticky paw emerging from the mirror in the finale is daring but bathetic - the attempt to reconcile Christian mythology with materialist science, even in a fictional context, must inevitably fail.
I think the most promisingly sinister thing here is the apocalyptic dream TV broadcast from the future, anticipating the 'haunted technology' theme of certain 90s/00s titles (notably from Japan).
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