F. Apemanson

F. Apemanson

Favorite films

  • The Scarlet Empress
  • Rose Hobart
  • Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles
  • The Assassin

Recent activity

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  • Creepy

    ★★★

  • Hold Back the Dawn

    ★★★½

  • The Entity

    ★★½

  • 88:88

    ★★½

Recent reviews

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  • Die Nibelungen: Siegfried

    Die Nibelungen: Siegfried

    ★★★½

    It's a slight shame that the real star of this picture - the dragon - is put to the sword in the first twenty minutes. Verfluche dich, Drachentöter!

  • Destry Rides Again

    Destry Rides Again

    ★★★★

    Among this film's many delights, a small-town saloon the size of an aircraft hangar.

Popular reviews

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  • Hangover Square

    Hangover Square

    ★★★★

    I can see why this would have disappointed fans of Patrick Hamilton's novel: gone are the sardonic realism, the specific references to the political malaise of pre-WW2 London, the texture of alcoholic Earl's Court. Instead, the basic plot is transposed to a more conventionally stagey gothic Edwardian setting (partly so Fox could re-use its existing sets), the besotted deadbeat Bone become a doomed composer struggling with his demons.

    However, it's also, if one can say so at the risk of…

  • Prince of Darkness

    Prince of Darkness

    ★★★½

    The atmosphere is great of course, but this time I struggled a bit with the sheer ludicrousness of the scenario, since this is simultaneously Carpenter's most straight-faced and most preposterous horror film. The image of the Dark Lord's plasticky paw emerging from the mirror in the finale is daring but bathetic - the attempt to reconcile Christian mythology with materialist science, even in a fictional context, must inevitably fail.

    I think the most promisingly sinister thing here is the apocalyptic dream TV broadcast from the future, anticipating the 'haunted technology' theme of certain 90s/00s titles (notably from Japan).

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