feels like a pretty progressive presentation of love as something that can exist outside of biblical and state laws which is very cool to see from the 1950s. i’m forever fascinated by the way directors tried to push boundaries but still get their films made. this film feels both incredibly feminist and progressive and still misogynistic which is just so weird to watch.
that’s about all i have to say about this movie but it was pretty darn cool and quite baller to see a female director in america in the fifties.
