I really want to like this more. I found it the most achieved in the trilogy with its unique aesthetic that blends a roughness with the fantastic. Formally composed shots are captured by the shaky handheld camera, making the film like a documentation of a re-enacted fairy tale. The innonence and pleasure Pasolini was exploring are layered and complex. There’re even a few nice scenes concerning gaze and spectator. However I just still find it a bit hard to pass that oriental look.
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I Cannot Tell You How I Feel 2016
Q&A with Su Friedrich
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An audience commented on the effective choice of text instead of voice over, part of Friedrich’s response goes - “when you read a text you hear your own voice.”Translated from by -
India Song 1975
An interrogation of image/sound, stillness/moving image, interior/exterior, first person/third person, colonialist/colonized, and many other rich dichotomies in the room of mirror.
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