Taking on the perspective of a depressed main character clearly has its drawbacks. And Lars von Trier has a way of creating the most upsetting characters where by the end you kinda want them die.
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Fallen Angels 1995
I was pleasantly surprised how different this felt from Chunking Express despite having a similar recipe.
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The Conversation 1974
They say Harry Caul is a paranoid character, but knowing what he knows, how could you not be paranoid? That’s like saying Snowden is a conspiracy nut.
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