While I was watching this, I’ve tried to figure out what does this film wants to say, or if it wants to say anything at all. What is the massage behind it, or what is its romantic relationships have to do with anything? As the film got to its very last and great third act, I think i finally—sort off, figured it out.
The film is a representation of the old vs. new. Traditional vs modern. The film itself tries…
This show is one of the most mesmerizing TV experiences I’ve had in years—an absolute masterpiece. It’s brilliantly crafted and stunningly shot, featuring an incredible one-take one-hour long episodes that immerses you in the chaotic reality of a devastated generation, shaped by masculinity and the terror of social media. The performances are among the best of the year, with Stephen Graham delivering his usual excellence and Owen Cooper making an unforgettable debut. I can’t believe this is Cooper’s first role—he completely nailed it.
My favorite episode is the third one. Unforgettable.
האם זה סרט רע? כן. האם זה גרוע? כן. האם זה כתוב טוב? לא. האם זה משוחק טוב? לא. האם יש משהו טוב בסרט הזה? קשה לי להגיד שכן. אולי בעצם רק המוזיקה ונטע גרטי סוחבים את הסרט הזה על הגב המסכן שלהם. וכמה היה להם לסחוב יא-אללה.
יש לי בעיה עם מניירות. מתעב שמנסים לעשות ממני טיפש. "אוי היא בדיכאון, אז בגלל שהמשחק שלה דפוק, נשים איזה מנגינה "דיכאונית" במיוחד ונגיד כמה המצב שלה דפוק". לא יכול לסבול את…
95 / 100
It’s maybe the most smartest and ambitious film I’ve seen from Israel so far. It’s hilarious to think that this film is really underrated and under appreciated, based on the most haunting experiences you’ll see. But why? Why it is so under appreciated? Maybe because it is not an all-star film, maybe. Maybe it’s because that nobody cares for this director, Eyal Kantor, who brings his entire soul to this magnificent film. Maybe it’s because that this…
