His best movie. One wishes that he had never waded into political biopics and the self-indulgent pastiche of The Great Beauty.
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The Double Life of Véronique 1991
Andrew Wyeth said he watched “The Big Parade” thousands of times, to the point that many of his paintings are based, consciously or not, on many of the shots in the film. That’s more or less how I feel about The Double Life of Veronique. I have no idea how many times I’ve seen it; it probably doesn’t matter at this point—the movie is burrowed so far into my mind. I find myself humming the motif at odd hours. For…
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