How do you make a movie that criticizes fascism when the camera itself uses the same tools as fascism? It’s impossible so you might as well make it a musical—life’s a cabaret (especially under orange man)
Also that last shot of the mirror is genius. Fascism requires an audience. Filming the mirror reminds us that the audience of the cabaret (and perhaps the viewers of the movie) supported the spectacle that eventually became fascism. Sorry to be pretentious but there’s…
