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Bird 2024
What an initiation into Andrea Arnold’s filmic universe. I knew it was going to work for me as soon as Keoghan came gliding in on an electric scooter upon which he’d soon be gleefully yelling the lyrics to Too Real by Fontaines DC. Glorious.
British cinema is known to be gritty, harsh and bleak—which I love. But Arnold’s cinema blends in heart, warmth and hope, even when those things appear to be gravely scarce. Her ability to share a young…
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Nightbitch 2024
This movie could’ve been a conversation at dinner. It could’ve gone to more places. It could’ve been grimmer. But much like Babygirl, I was teased with the promise of something darker and more risqué.
What we got was a film that the somewhat vanilla ‘moms’ can discuss at the playground. And that’s cool, but I craved a little more.
Amy Adams is amazing tho.
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