Keith LaFountaine

Keith LaFountaine Patron

Horror writer & cinephile.

Top 4 = most recent five-star watches

Favorite films

  • Twin Peaks: Fire Walk with Me
  • The Straight Story
  • Meshes of the Afternoon
  • Nine Days

Recent activity

All
  • Passing

    ★★★½

  • The Order

    ★★★★

  • Goodbye World

  • Nine Days

    ★★★★★

Pinned reviews

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  • Twin Peaks: The Return

    Twin Peaks: The Return

    ★★★★★

    "We live inside a dream."

    Rest easy you brilliant, impossible man. The world will miss you deeply.

  • A Florida Melancholy

    A Florida Melancholy

    ★★★★★

    That final shot will stay with me forever, Eli. As will you.

Recent reviews

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  • Passing

    Passing

    ★★★½

    As my friend Jaime said in their review, it's hard not to admire Rebecca Hall's direction here. While it's a bit inert and formal for my taste, there's no denying the power of that understated direction, nor of Tessa Thompson's and Ruth Negga's performances.

    This is also just an absolutely beautiful film. The gorgeous black-and-white cinematography, the careful precision in each shot, whether we're tracking toward something or sitting static, the shadows and the contrast. It works both as a narrative device and as a visual marvel.

  • The Order

    The Order

    ★★★★

    A very sturdy crime thriller, bolstered by a great performance from Jude Law and Kurzel's tight, formal direction. It reminded me a lot of some thrillers that came out in the mid-2010s - The Town, The Place Beyond the Pines, and Hell or High Water specifically.

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  • No Country for Old Men

    No Country for Old Men

    ★★★★★

    A modern masterpiece. The Coen Brothers create a world filled with silence and then use Hitchcock-esque suspense to tear violent holes in said world.

  • Sound of Freedom

    Sound of Freedom

    ½

    Reviewing a film like Sound of Freedom is near impossible as any criticism or dislike will automatically be met with claims that said detractor "doesn't care about children" or somehow condones trafficking.

    That is by design, naturally. So what if the film's commentary on this subject is about as shallow as a puddle? So what if the film's purported hero is a fraud who has consistently overembellished his role in saving victims? So what if the film's star and subject…