Kim Erin Cowley

Kim Erin Cowley

Favorite films

  • Into the Night
  • Blade Runner
  • House of Flying Daggers
  • Gilda

Recent activity

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  • Elizabeth

    ★★★★

  • Brian and Maggie

    ★★★★

  • The Banshees of Inisherin

    ★★★★

  • Lost in Translation

    ★★★★½

Recent reviews

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  • Elizabeth

    Elizabeth

    ★★★★

    “The dead have no titles”

    When a drama’s titular character is such a towering historical figure, an audience arrives with some preconceptions that can bring an extra challenge to an actor. But I hadn’t really seen Cate Blanchett in anything prior to seeing this in 1998 – and that really rather helped.

    In a film filled with exceptional performances, Blanchett holds the centre superbly. Circling her sun are characters of mixed motive. The duplicitous Earl of Leicester is ably worn…

  • Brian and Maggie

    Brian and Maggie

    ★★★★

    “You’ve become so good at vanquishing your opponents that you have run out of enemies. And I worry that in looking for them, you might create them.” 

    This wasn’t so much a traditional film as a 2-part televised play - but in the end, content is content.

    I am of an age (62 in 2025), that means I remember with crystal clarity these two figures. They loomed large in the 1980s Britain I knew. And therein lies the biggest challenge…

Popular reviews

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  • Into the Night

    Into the Night

    ★★★★★

    Quite simply my favourite film of all time - even if I’m never 100% sure why.
    It’s a comedy. Or a thriller. Maybe both. It’s a love story - with Iranian hitmen chasing Jeff Goldblum and Michelle Pfeiffer (in only her 2nd lead) around night-time Los Angeles. It has cameos to burn, from directors like David Cronenberg, Jim Henson and John Landis (who is actually helming the film itself). Dan Ackroyd is a pal who cares, Jonathan Lynn is a…

  • Lone Star

    Lone Star

    ★★★★½

    “This stretch of road runs between nowhere and not much else…”.

    I saw this film on release in 1996 - and regarded it very highly. I wondered if the 28 year gap would reveal flaws - but if anything, it looked even better on this later viewing.
    The film is itself set across decades from the 1960s to 1990s - and frankly could have been fixed in any of them. It is a very old-fashioned production in many ways -…