the future is a bright white screen, a shot of the antarctic.
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The French Dispatch 2021
The point is he could paint this beautifully if he wanted but he thinks this is better, and I think I sort of agree with him.
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The Grand Budapest Hotel 2014
While i do understand why some make the claim that Wes Anderson pictures are too aloof to emotionally connect with, they’re completely wrong.
His works, especially everything post moonrise kingdom, have not become less emotional or less human, they have simply moved the emotional core back a pinch and tucked it away a little. It’s still very much there, it just takes a little more effort (😱) on the part of the viewer to parse it out.
One rewatch and…Translated from by