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In the Mood for Love 2000
I will always love this film.
The beautiful cinematography and slight tension between the characters always left such a lasting impression.
The subtlety of love through hidden glances and hesitant actions will forever be understood.
Maybe that is why I am forever drawn to slow-burn romances… the kind where love unfolds quietly, in stolen moments and unspoken words, leaving a lasting ache.
Wong Kar-Wai, you never miss.
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Village of the Damned 1960
Wow… this film brings to life the same haunting feeling I had when I first read John Wyndham’s The Midwich Cuckoos at 11-years-old.
There is something unsettling about its quiet, controlled horror - no dramatic shocks, just an underlying sense that something is deeply wrong.
The stark cinematography and restrained performances only enhance the cold, creeping tension. George Sanders was exceptional in his character, but it is the children, enigmatic, unreadable and emotionless, that make this film truly memorable.
I have…
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The House by the Cemetery 1981
Lucio Fulci proves once again that atmosphere trumps logic in House by the Cemetery.
This film is like a fever dream filled with eerie visuals, relentless gore, and one of the most unsettling dubbing choices in horror history. A haunted house story brimming with tension, maggots everywhere, and an irritating kid named Bob who sounds like a chain-smoking adult and screams in the most cursed dub imaginable.
Plot holes? Everywhere. Gore? Delightful. Basement? Absolutely not.
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A Fistful of Dollars 1964
“Get three coffins ready… My mistake. Four coffins.” Badass.
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