lecturer in film, tv and cross-media culture @ university of Amsterdam
don't rate short films
The cost of Eden. A point that holds true for contemporary viewers (whom Glazer almost violently implicates) about as much as it did for the Hösses - we’ve just allowed modern technologies to put it at a further remove, obscuring the parts we play in global systems of exploitation to provide for what we assure ourselves is ‘the good life’. Hence - maybe - the pinhole of light; the monumentalization of atrocity puts history behind glass bars, at a safe…
simultaneously a little too subdued (the dynamic between Benji and David feels real, subtle and unspoken and in the end therefore somewhat unresolved/unchanged) and in select moments too big in contrast (the theatrical blow-out moments of capital-A Acting); but as far as such indie filmmaking fare goes it does feel genuine, and the performances are terrific. Culkin is, of course, the stand-out (supporting actor?); volatile and vulnerable and all-round excellent, relatable and recognizable as a portrait of mania, grief, depression, etc.
Brilliant premise, perfectly executed. Writing ‘Henry van Loon stars in an Oscar-winning film’ is insane.
sorry, I thought this was bad and annoying - feels like a student film in the worst way (pretentious, masturbatory, poorly shot and poorly audio-recorded, etc.). my eyes are still recovering from rolling so far back into my head at every mention of Rohmer. particularly aggrieved at a moment here towards the end where the protagonist-writer-director, in excruciating detail, recaps literally all the film's plot points (which weren't that interesting to begin with) in a seemingly never-ending 'and then x happened and then y happened and then z happened' and I just wanted to leave the room so bad
Tim, after bringing out a CG rendering of a teenage version of his recently deceased year-old son: “I thought that was good - - that was healthy”
(And because there are so many good quotes here, another favorite: “Just because you’re James Dean doesn’t mean I’m not gonna beat your ass”)