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Crash 1996
seen introduced by cronenberg and howard shore!!
death is the logical endpoint of desire—the final orgasm; everything else is just a prelude. modern technology is the catalyst. a film that is at once seductive, disturbing, tragic, and even quite funny...a truly singular artistic achievement that i could write pages on. of all the unforgettable images in this, unger’s fluttering eyelids and statuesque gaze probably reverberate in my mind the most.Translated from by
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Beau Travail 1999
expected a homoerotic ballet of sorts (without really knowing what that would involve), closer to an action film than a drama. what i got was (somewhat disappointingly) more of a slow-burner, with a much lonelier, more wistful atmosphere than i expected. quite torn atm. i liked elements of it: the occasionally dreamy montage, the consistently great use of landscape, the brimming sensuality of many of the shots (sweaty bodies colliding underneath the scorching sun etc..). main issue is that the…
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Mickey 17 2025
trying to caricature what is already beyond caricature. the result is a cartoonish artificiality that bears no relation to reality. worse, is not even knowing what you’re trying to satirise. this is all manifest in ruffalo’s role, which strikes me as a very confused take on trump/musk, targeting their clownish demeanor in an snl parody fashion that does nothing to comment on the very scary threats they actually are. if anything, reducing them to punchlines does the very opposite. a…
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